WTF is Latino at the 2017 Sundance Film Festival

The 2017 Sundance Film Festival is officially underway, and its a special one for me because it marks my 10th year with the not for profit.  I started working for the institute in 2007 and ever since, every year from from August to November, I screen submissions as a Programming Associate, primarily Latin American and Latino films.  More than ever, I feel priviledged to watch such a volume and diverse array of perspectives.
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As for my personal mission on this blog,  I choose to talk about Latino representation in a laser focused way:  highlighting the writers and directors who are out there telling the stories they want to tell the way they want to tell it, and emphasizing the U.S. context.  As much as I love to talk about international films, the real void in the U.S. media and therefore urgent need to support, are stories created by first, second, third, multicultural generation Americans.

Overview:  Boricuas dominating. Puerto Rico most definitely repping.  Also, we got a healthy presence in Digital and Virtual Reality which makes sense beause it (WE) are the future.   Without further ado, a rundown of WTF is Latino at the 2017 Sundance Film Festival.
In the U.S. Documentary Competition

DOLORES AKA Woman in Motion directed by Peter Bratt

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Executive produced by none other than Carlos Santana and supported by the San Francisco Film Society’s Documentary Fund, this long overdue celebration of Dolores Huerta’s achievements over the course of her 60something years in civil rights is reverent, timely and galvanizing. Peter Bratt is an alumni of the festival.  He wrote and directed the San Francisco set, gay coming of age La Mission which played in the 2009 festival. Armed with a rich archive of footage, banging soundtrack and one-on-ones with Dolores herself, the film chronicles one woman’s boldness in tackling the obstacles she faced on the sociopolitical battlefield along with the personal challenges of being an absentee mother.  It encourages all women to seize claim to their often overlooked contributions to society.

Also in the U.S. Documentary Competition

DINA directed by Antonio Santini and Dan Sickles

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screen-shot-2017-01-19-at-1-08-25-pmNew to the festival, Puerto Rican Antonio Santini’s first documentary feature co-directed with Dan Sickles, MALA MALA about the trans sex worker community in Puerto Rico, premiered at the 2014 Tribeca Film Festival.  Like the intimate access of that film, Dina also has a striking sense of intimacy, unpresumptiousness and ultimately delivers an unexpected and very honest connection to someone as authentically unique as Dina.
In the high profile out of competition Premieres section

BEATRIZ AT DINNER directed by Miguel Arteta

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31343311256_1f1f040a94_zThe Sundance Film Festival showed Arteta’s very first film, Star Maps back in 1997. Ever since he’s made a career of crafting indelible characters across film and television.  He reteams with Mike White (Chuck and Buck, GoodGirl) on this deliciously wicked tale of a fateful dinner encounter between a humble holistic healer and a mega brazen successful business developer.  The two opposing forces are embodied by the superb Salma Hayek and immense John Lithgow.  Thought provoking, unpredictable and utterly engrossing, the dark comedy is produced by Killer Films. Watch an exclusive clip here.

In the bold Next section

LEMON written and directed by Janicza Bravo

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Co-written with her star and partner in crime, Brett Gelman, Janicza’s striking  feature length debut boasts an insanely big and comedically gifted cast including Michael Cera, Judy Greer, Gillian Jacobs, Martin Starr.  Along with a background in design, Bravo has a knack for capturing characters lost in flight with a tragic humor and heart. An alumni of the festival, Gregory Go Boom with Michael Cera and last year’s Woman in Deep with Alison Pill, Bravo is a busy woman.  Last May she debuted a Virtual Reality experience at Tribeca Film Festival, called A Hard World for Small Things about a day in the life of South Central, and also directed an episode of the Golden Globe winning show, Atlanta.

In the Shorts Competition

KAIJU BUNRAKU directed by Jillian Mayer and Lucas Leyva

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Marking their 12th project (features and shorts) at the festival in 7 years, multimedia mischievous artists, Jillian and Lucas bring a japanese inspired marionette short this year which like all of their work is eye-grabbing, provocative and is about more than meets the eye.  The Miami full time Borsht Corp is a nonprofit which supports Miami filmmakers, they recently supported 28 filmmakers with cold hard cash all of which are poised to premiere at their festival which has been listed on Moviemakers 25 Coolest Festivals in the world.  For more info on this February’s event click here.

GOOD CRAZY written and directed by Rosa Salazar

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Making her directorial debut, actor Rosa Salazar stars in this short shot around the hipster rising area in LA named Frogtown. The logline: A complex chick deals with a vanilla beau, a shitty brunch, and a dead coyote all in a Los Angeles day. Heart.  Excited to see more of her writing and directing.

In the newly minted, Short Form Episodic

GENTIFIED written and directed by Marvin Lemus

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Marvin Lemus who made a short film with Project Involve called Vamonos which I loved (you can watch it on PBS online) will be premiering 3 episodes of this series that takes place in Boyle Heights.  Each episode features a resident trying to pursue their living/art. Lemus hits a chord/funny bone here as most of the tension and strife is intergenerational; old school mexican generation clashing with millenials.  The series is backed by Mr. Charles King and his company Macro.  Lemus is in good company.  Macro also produced Denzel Washington’s Fences, and at the festival Dee Ree’s WW2 period Mudbound.
In the animation spotlight

VICTOR Y ISOLINA by William Caballero

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screen-shot-2017-01-19-at-11-43-57-amIts only three years ago that William popped up on the radar with his animated series Gran’pa Knows Best, a really funny and sweet series in which he used 3-D printed miniatures of his Puerto Rican grandfather over real voicemails that his grandfather from would leave for him. Initially an independent short, it was quickly snapped up with HBO.  Victor y Isolina introduces his grandma to the mix, who is the perfect foil to his unapologetic grandpa.  Produced by Elaine Del Valle who produced her own webseries, Reasons y I’m Single.  Check out his website for more info.

In the New Frontier (the future) section

NEUROSPECULATIVE AFROFEMINISM

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screen-shot-2017-01-20-at-9-47-55-amI don’t know much about this one but the description sounds super fascinating; a beauty salon of the future’. Fingers crossed I get an opportunity to experience it while I’m here.   Also I’m dying to meet one of the artist/engineers, Carmen Aguilar y Wedge who founded Hypen-Lab, an international team of women of color working at the intersection of tech, art, science and narrative.

IF NOT LOVE by Rose Troche

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I been crushing hard on Rose Troche for as far back as I can remember.  Go Fish changed my life.  No joke.  She was a producer on Concussion, and has since come back to the festival in the New Frontier program with a series called Perspectives, which puts you in the shoes of a person caught in a situation a result which shatters any idea of black and white and makes you swim in the gray.  Per the description:  IF NOT LOVE challenges the viewer to contemplate another difficult subject—a mass shooting at a nightclub, but this time with the question posited: is another outcome possible?

OUT OF EXILE: DANIEL’S STORY by Nonny de la Peña

I mean, she’s been called the Godmother of Virtual Reality.  Nonny de la Peña also returns to New Frontier with this piece that recreates Daniel Ashley Pierce’s coming out video that went viral.  If you don’t know the heartbreaking and inspirational story read here This experience puts your body into the middle of the action around audio that Daniel recording during that encounter.

For deeper coverage on Latino and Latin American talent at the festival check out REMEZCLA.  For a closer look at all documentaries at the festival head over to What (not) to Doc.   Livestream the festival’s panels and watch select shorts from home. And follow my BTS on Twitter @IndieFindsLA and insta ChicanafromChicago.

WTF is Latino at the 74th Golden Globes?

Quick answer: Not much.  But it’s too easy, not to mention unproductive, to bemoan and criticize awards shows for their lack of recognition when it comes to Latino writers/directors.  Unfortunately there isn’t much of an eligible pool for these big awards shows to consider (why that is -for another post).  Also, for those new to my blog; I define Latino strictly in the American generation/context, not international, and I focus on creators (writers and directors).  Now lets celebrate who we do got because it’s pretty cool that of these few American Latino writers/directors in the Golden Globes mix, they happen to be all WOMEN!

Although it is the showrunner/producers who accept the Best TV categories, the writers and directors of the nominated shows obviously are part of what makes the show stand out. To that end, lets give props to the ladies that contributed to the critical success of these nominated series:

jnl2In the Best TV Drama series category, there is Jessie Nickson Lopez, staff writer on Netflix’s STRANGER THINGS.  The young Columbia University grad was raised between Canada and the U.S. and has Venezuelan roots.    After a brief stint at ICM followed by being staffed on A&E’s short lived The Returned, she worked as assistant to Moira Walley-Beckett (Breaking Bad EP/writer) on STARZ ballet drama, Flesh and Bone which was nominated for a Golden Globe last year in the Best Television Limited Series category.  Stranger Things debuted this summer to much acclaim and hype with eight episodes.  She wrote episode 6: The Monster.   The show will be back for season 2.

In the Best TV Comedy series category, Mexican-American Linda Mendoza has directed 4 episodes over the course of the 3 year old series BLACKISH from ABC.  Mendoza has been directing hit television show episodes on the regular ever since The Chris Rock show on which she directed 13 episodes during 97-98 season.  Except for her 2003 feature Chasing Papi for Pantelion, she has stayed entrenched in the television business.

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bravoWINNER ********Also in the Best TV Comedy series, Panamanian Janizca Bravo directed an episode of another new show that came in hot this year, ATLANTA. Her episode was Junteenth.  Bravo has a great eye and very soulfully brings a dark comedy to her work. She has directed a number of short films as well as a virtual reality project about police brutality that was featured at the Tribeca Film Festival.  She is about to premiere her feature debut, Lemon at this month’s Sundance Film Festival, so you’ll be hearing a lot more of her in the next few weeks.

As mentioned, award shows can only be as representative as the eligible pool so to be fair, what features and television shows were eligible and were snubbed THIS YEAR? I regret to say I lack hard data and to be honest I’m not as well versed in the television landscape as I am in the indie film world  (new years resolution!).  A few I do know who we’re technically elegible bear mentioning; Danielle Sanchez-Witzel who is the showrunner on The Carmichael Show on NBC didnt get any GG love. Empire which was nominated last year has a writing room that includes Carlito Rodriguez who is also co-producer. He previously wrote on the first season of HBO’s The Leftovers. Orange is the New Black which boasts a killer Latina cast who didn’t get recognized- includes Marco Ramirez as writer.  The Get Down includes Jacqueline Rivera as staff writer who also directed an episode. While Gina Rodriguez gets her third nomination (and sole Latina acting nominee) for her acting on Jane the Virgin the show didn’t get any love this year (It was last nominated in 2015 the year of its debut).  The show consistently engages Latina scribes, Emmylou Diaz and Valentina Garza, and director Zetna Fuentes.  In previous years Hulu’s hit show East Los High received a number of daytime Emmy Awards but the Globes never recognized the show which was created by Carlos Portugal and included a robust number of Latino writers.  NBC’s Shades of Blue wasn’t nominated which includes writer Benjamin Lobato who also wrote on USA’s Queen of the South another show that premiered this year.  Peter Murrieta wrote on TV Land’s Lopez show.  Just recently premiered, so not part of this year’s submissions, Netflix’s One Day at a Time counts Murrieta as a writer and notably  Gloria Calderon as showrunner (next year?)

screen-shot-2017-01-08-at-6-21-12-pmLast year we had Ricky Gervais prophetically introduce Eva Longoria and America Ferrara as folks our future president wants to deport.  Conceptually (painfully) funny to prove a point/Brit rub it in move, except both are American citizens. The ladies proceeded to do a bit on people mistaking them for other famous Latinas. Among this year’s presenters, Zoe Saldana who plays Ben Afflecks love interest in his period gang drama Live by Night is the only American Latina on deck. The Dominican American is known to speak flawless Español.  Her body of work is fascinating in that she’s managed to play Black, Latina and now simply blockbuster actor (Guardians of the Galaxy, Avatar). Saldana has a production company Cinestar which she runs with her sisters and has a first-look deal with South Shore Television and Pantelion Films, the U.S. joint ventures of Grupo Televisa and Lionsgate. Hopefully they manage to bring up and work with some talented Latino creators.

In the Best Original Song category, musical star Lin Manuel-Miranda was nominated for his work on How Far I’ll Go with Mark Mancini and Opetaia Foa’i.