Caribbean filmmakers on the rise

Still rocking a rich brown tan from the recent Curacao International Film Festival Rotterdam, which took place April 5-9, I’ve got a special festival recap and snapshot of the exciting new wave of stories coming from the Caribbean islands you NEED IN YOUR LIFE!

IMG_1354For the past 4 years I’ve been the programmer of the Yellow Robin Award competition at CIFFR, now in its 6th edition, selecting five feature length films from the Caribbean.  I like to think I’ve made it a discovery section and tapped into the beat of what’s happening in the region, premiering first features from Haiti, Aruba, Dominican Republic, Cuba, Puerto Rico, Trinidad, Colombia, Costa Rica and more.  This year’s competition was comprised of El Hombre que cuida by Alejandro Andujar (DR), Melocotones by Hector M. Valdez (DR), Keyla by Viviana Gomez Echeverry (Colombia), Bad Lucky Goat by Samir Oliveros (Colombia), and Angelica by Marisol Gomez Moukad (Puerto Rico).  The winner receives a cash prize and earns a screening the following year in Rotterdam’s Bright Future section, as well as a coveted slot in the Morelia International Film Festival in the fall.

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De Rooy and Beyer flanking winning director Andujar

This year, Director of International Film Festival Rotterdam Bero Beyer brought in Industry maven, Marit van den Elshout of IFFR/Cinemart to step up their industry activities at the festival.  There were masterclasses and one-on-ones with mentors like Pierre Menham of MPM Film and Wendy Mitchell, member of the British Film Council and contributing editor to Screen International.  The jury, composed of Beyer, Mitchell, and Curaçao local artist and filmmaker Felix De Rooy, bestowed the Yellow Robin Award to El Hombre que cuida from the Dominican Republic. Which brings me to:

WINNING!   La Dominicana

Directed and written by Alejandro Andujar, El Hombre que cuida is a character driven story centering on Juan –  a searing performance by Hector Anibal –  and his paradoxical  situation of living on a piece of paradise he serves.  Its hard not to feel for the still strapping but aging introverted man, and when the friendly spoiled brat son of the house owner crashes with friends, a steady and uneasy tension crescendos centering on a local village girl whose trespassed her class, ultimately speaking modern day volumes without even saying it.

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Andujar flanked by his producers, Amelia del Mar Hernandez and Annabelle Mullen-Pacheco

We had the privilidge of world premiering this film that has stellar chemistry and performances among its cast. It is being handled by sales agent veteran Alfredo Calvino’s Habanero Films. Hopefully it makes all the stops in between its future screenings of IFFR and Morelia.

Andujar is a screenwriter, making his directorial debut.  He has collaborated as writer on many films – some he likes to mention and others not really.  Among his favorites however is collaborating with Israel Cardenas and Laura Amelia Guzman, the mexican filmmaker duos of such internationally recognized films like Cochochi, Jean Gentil and Sand Dollars.

IMG_1356HECTOR VALDEZ – I just had to invite super young filmmaker Hector Valdez again with his wild and ambitious sci-fi romantic comedy, Melocotones.  Its practically unheard of to find sci-fi genrein the Caribbean, and the film marks such a progression from his last feature,  road trip movie, Al sur de la inocencia which was in the YRA in 2013. Like Andujar, Hector and his spanish producers partner straddle making commercial cinema in between personal passion projects.  He is currently editing one of his personal buckets, Nobody Dies in Ambrosia, a story about pirates who discover the fountain of youth.  With a sharp eye for a distinct retro-futuristic aesthetic and influenced by the fun of Back to the Future Melocotones is an unbridled, arousing and pulpy time travel trip that proves a do-over is not always the best way to fix your self and relationship.

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Participating in CIFFR, outside the YRA competition was the immediate feels of  documentary Jeffrey by Yanillys Perez which bowed last year at the Toronto international Film Festival.  Perez, an actor who splits her time between Paris and Santo Domingo participated in Film Independent’s Project Involve’s program in 2016, and her upcoming project Candy Town is in participating in the prestigious talent-making co-production market, Atelier Cannes Festival Atelier. Jeffrey is an impossibly mature 12 year old windshield wiper gifted with some sick reggaeton moves and rhymes, and is basically irresistible. Like the Facebook page here.

Screen Shot 2017-04-14 at 9.56.33 AMAn alumni of YRA, another talented Dominican docudrama filmmaker (btw – the only time I’ve played documentary in the YRA) is Natalia Cabral who studied film  at the International Film School of San Antonio de los Baños, Cuba along with Alejandro Andujar. She directed Tú y Yo, winner at the Trinidad + Tobago Film Festival which also competed in the 2015 YRA.  Her second feature, Sitio de los Sitios premiered at IDFA last fall. See trailer below and like the Facebook

Screen Shot 2017-04-14 at 5.34.03 PMLast year’s Dominican alumni, A Orillas del Mar by Bladimir Abud, born in Samana (not Santo Domingo like most of these filmmakers) competed in the YRA. I’m happy to hear he was awarded with the Best film prize by the Dominican Republic’s National Art Awards just this past March for the film about a boy who journeys to the city to find out what happened to his father.

And lets FullSizeRender 6not forget about super simpatico JM Cabral who debuted CARPINTEROS at this year’s Sundance Film Festival and has been racking up awards all over the festival circuit.  The young filmmaker who is now repped by APA and Circle of Confusion, recently made the Hollywood rounds and there is talk of serializing the prison-set romance between a Haitian and a Dominican.

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Also on the map, Nelson Carlo dos Santos who did his MFA in Film at CalArts won Panama Film Festival’s work in progress section with his upcoming film Cocote.  The film stars Judith Rodriguez Perez of Carpinteros and per the description is about a young ma who goes back to his town for his father’s funeral and is forced to participate in a litany of rites and traditions he doesn’t believe in.  Nelson’s previous film, Santa y otras historias is a captivating avant garde film inspired by Roberto Bolaño’s 2666. Watch that trailer here

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EL CARIBE COLOMBIANO

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Twinsies!    Samir y Viviana

This is the year that I learned about an island called Providencia thanks to two filmakers, Viviana Gomez Echeverry and Samir Oliveros.  Once the English colonizers discovered Providence, Rhode Island was an easier shot across the pond they abandoned it leaving it as Old Providence.  This long overlooked island, together with San Andrés and Santa Catalina, lies midway between Costa Rica and Jamaica and forms part of Colombia.  Quite serendipitously, these two young Bogota-based filmmakers decided to film their first features here.  I just had to play both films in competition as they are two totally distinct stories that treat this creole speaking island as a character in their films.  A sign of their impressive directing chops is that both directed non-professional cast to well balanced results.  Also of note – both included the sweet music of Providencia’s very own Elkin Robinson

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A dazzling first feature by cinematographer Viviana Gómez Echeverry, Keyla captures the pirate’s treasure lore and magic of the island in this coming of age starring a stubborn 18 year old whose father gets lost at sea.  Recipient of Tribeca Film Insitute’s Latin American Fund, Viviana spent nearly eight years in the making of the film, including running a workshop teaching the islanders and cast how to film and act.

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Screen Shot 2017-04-14 at 3.38.50 PMBad Lucky Goat by Samir Oliveros world premiered at SXSW and garnered legit buzz, earning a couple buzz screenings and topping Indiewire film chief’s Eric Kohn’s best first feature list. The film is that rare family friendly film that’s also a delightful, quirky adventure around the island about a brother and sister having to work together to get out of a jam.  Bad Lucky Goat subsequently landed a spot at the Panama Film Festival before its YRA competition slot at CIFFR.  The film is in the good hands of sales agency Luxbox with Fiorella Moretti, previously of film company Mantaraya, the house that Carlos Reygadas built.

@badluckygoat

LETS TALK ABOUT PUERTO RICO

This year’s Puerto Rican entry was Angelica by Marisol Gomez Moukad who participated in Panama’s work in progress in 2015.  The deeply feminist pov of a mixed race aspiring designer packed the house at all its screenings.  It was truly special to watch how it connected with Curacao’s audiences.

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Alex at his Morelia International Film Festival screening with Programmer Chloe Roddick

Boricuas have represented in the YRA competition, winning back to back in 2015 and 2016.  Alex Santiago’s Las vacas con gafas (2015) a dark comedy ‘romp’ about an artist/professor who is at once loquacious and a misanthrope, as he deals with his aging, failing eyesight. A delectable performance by Daniel Lugo who eats up the scene.  Good news – it is now available on iTunes.

In 2016 we had the unbelievably good luck to host the world premiere of Antes que cante el gallo (2016) by Ari Manuel Cruz.  Trailer below. Cruz who collaborates with actor/screenwriter Kisha Turkino Burgos showed a cut of his latest film, Quien eres tu? in Panama International Film Festival’s recent Primera Mirada (work in progress).

TRINI VIBES

2015 Yellow Robin Award winner Damian Marcano crushed it with his first feature God Loves the Fighter.  Must watch this hyper injection of real life through Marcano’s painterly palette.  Available on iTunes here. His latest short film, Heart of a Monster  – see below – is yet another shining example of this rasta’s vivid and kinetic filmmaking style.  When not making music or branded content solo and with his producing partner Alexa Bailey, he is busy developing a few projects for a couple major hollywood studios. So if you don’t know yet you will know soon.

Play the Devil, by bahamas born Maria Govan beguiled audiences at the LA Film Festival last summer.  This her second feature, which she shot in Paramin, Trinidad.  The ‘devil’ mythology surrounds a traditional carnival dance which means paying the devil his/her due so that the devil leaves the village alone for the year.  Govan interweaves this theme of allowing room for our devils to breathe with the story of a young gay man dealing with repression. Govan’s first feature, Rain premiered at the Toronto International Film Festival in 2008.

COMING SOON

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Vashti Anderson’s Moko Jumbie is a total gem to watch out for.  She is busy on the edit.  Here’s a diary she did while in production for MovieMaker magazine and about the film which had a work in progress screening at the Third Horizons Festival.

Also upcoming is Moving Parts by Emilie Upchak, formerly part of the Trinidad +Tobago Film Festival who ran a successful Kickstarter campaign to fund part of the film.

Y CUBA, OBVIO

Screen Shot 2017-04-14 at 3.49.47 PMI couldn’t do a post about Caribbean cinema without including Cuba.  I’ve been hearing about La Escuela de Cine en San Antonio de Los Baños the internationally renowned film school since forever and Cuba has a well documented film legacy.  That said, there is an old guard who have gripped onto the spotlight for decades.  Alejandro Burgues code switched it up when he burst onto the genre scene a few years ago with Juan of the Dead – avail on iTunes and these days is LA based and busy on a number of feature and tv projects.  Currently, young filmmaker Carlos Lechuga possesses an incredibly assured hand in his first two films.  His current film, the 1983 set Santa & Andres was pulled from Habana’s Film Fesstival and then when Havana NY FF tried slide it into an out of competition slot, Lechuga decided to bow out completely.  Whats with the censuring?  The LGBT and anti-fidel nature?  Like I said old guard gripping.  The film which is about a closely monitored gay novelist by a government watcher who finds more in common with him than she thought is thankfully making the festival rounds everywhere since its Toronto International Film Festival bow.  Lechuga’s film is that rare period set film where characters feel so immediate and the subject so profound and fresh, and unfortunately more topical than ever.

CARIBBEAN FESTIVALS

Born at the same time as CIFFR and taking place just days before, the Panama International Film Festival has become another key platform in the region that has the clout to launch and expose talent within the region as well as abroad. Unlike CIFFR’s cozy, intimate and 30 something film lineup setting, IFFP is bigger in scope with 140 screenings in 5 different venues and a formalized industry program. The festival is led by filmmaker Pituka Ortega-Heilbron and Artistic Director and Toronto International Film Festival programmer Diana Sanchez.

Since 2006 the trinidad+tobago film festival has done a lot to cultivate interest in island films, specially non-Spanish language which is a big deal in the spanish dominant region, both at the festival and year round. The call for submission is now open for the twelfth edition which takes place from 19 – 26 September 2017.

Stateside, the Caribbean Film Academy headed by Romula Lucas offers a resourceful   website with filmmaker interviews and U.S. screenings. They organize a Caribbean Film Series with BAMcinématek and collaborated on a new festival in Miami this past fall called Third Horizon led by Jason Fitzroy Jeffers.

Its rare to see these films get distribution in the states.  I haven’t seen this much quality and freshness of Caribbean cinema since I started watching international film professionally 13 years ago. These filmmakers are young, driven and offer rarely seen windows and insight into a region that we’ve only now begun to see, and be represented. Show your interest by following and messaging their social media handles above and in hyperlinks!

And if you are a Caribbean filmmaker working on your film, let me know!  Would love to support and watch.

Borscht Diez – the festival at sea level that’s Next Level

diezlogo_ez_transparentOn Wednesday February 22, a vortex took shape in Miami known as Borscht Diez, the 10th edition of Borscht Film Festival, which created ripples around the world. It started with the end.  A  funeral pyre where Borscht’s 13 years of past work (via hard drives) was eulogized and then promptly lit and burnt to ashes. The festival closed on Sunday, February 26 with a major phoenix rising boom for Borscht  – whose mission is to put authentic Miami narratives on the map -when locals at the African Cultural Heritage Center watched in exhilaration as hometown set and filmmaker Barry Jenkins’ film Moonlight took home three Oscars; Best Supporting Actor for Mahershala Ali, Best Adapted Screenplay, and major key win: Best Picture.

For those who don’t know  – Borscht Corp is a non profit and artist collective I talk about frequently on my blog because since 2011 their films have been selected at the top festivals around the world. The organism spawned around 2004 and has multiplied into a rising number of unique and unapologetic artists who collaborate across platforms in film, digital and art projects. Borscht’s Day One funder and to this day is The Knight foundation. Borscht represents a wild, pop and savvy storytelling community who sneak relevant cultural perspectives and social/geo/political/tech-driven commentary.  When it comes to American Latino representation at festivals – something I talk about a lot on this blog, Borscht nearly always appears in my WTF is Latino at xyz festival and they found that last year at a major film festival, 50% of US fiction shorts by Latinos were Borscht commissions.

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Borscht

Two of the chief architects of this nuclear reactor, Jillian Mayer and Lucas Leyva, recently gained the support of Time Warner’s One Fifty which invests in creators, with the goal of creating a pipeline into the entertainment divisions who recognize the need for fresh content in order to stay relevant and reach younger socially connected audiences. Mayer and Leyva have collaborated on many projects as writers/directors/producers and with One Fifty are working on a few exciting things TBA.  Their most recent short Kaiju Bunkaru premiered at Sundance, and they are actively developing their first feature set in Cuba as writers/directors.  The partners in crime have also used Time Warner’s support to continue to spearhead their work of promoting and supporting other up and coming Miami artists.  A few of these include the Meza brothers, Bernardo Britto, Alexa Haas, Monica Peña, Celia Rowlson-Hall, Amy Seimetz, Ahol Sniffs Glue, Jonathan David Kane, Julian Yuri Rodriguez, and Giancarlo Loffredo.

A typical film festival is usually evaluated by the strength of its film selection, but this ain’t no typical film festival – its a whole experience, and one that is curated off the cuff yet quite tight.  The 70 something odd number of features, shorts and videos comprising the program is driven by Borscht made films, Miami related stories, and  natives.  Its audacious vision is pretty organically glued with near future narratives and primal and cosmic evocations –  always with a daring, and often underrepresented point of view.

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Waterworld. photo by Marilyn Loddi

Screenings were held at three main theater venues; The Miami Beach Cinematheque, New World Center, Olympia Theater – which when taken over by Borscht surely broadened those institutions’ reach and seemed to take on a new feel. Outside these established venues, screens were also popped up, intervening public spaces; on the water, in the streets, off a beaten path of an island, on walls inside and outside.  Just like screens were

unleashed, so were stories unconfined to said screens by weaving thematic narratives around each screening event. Like being handed a cacti to accompany you to a film about a conquistador and being told that the questions will be taken strictly from the cacti.  Or the animation bookends at the main film event where sea anemones from the future (fake/future news reel tells us that sea level rise has buried Miami underwater) presented the program while making fun of the blip that was humans and the rubble we left behind that we called “art”.  And then there are the personal experiences in participating that creates yet another story – like the time I kayaked by myself at night a mile out to an undisclosed island location for a screening, thinking that if I flipped over into the lukewarm sea the temperature would be nice but rubbing up on something would give probably stop my heart.

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Cosmic and coral sex inside New World Center

Other big events included Coral Orgy, an immersive psychedelic  projection by local marine biologists/artists Coral Morphologic with a live score performed by Animal Collective,  a vogue ball by Catwalk Miami that was EVERYTHING, an amusing opera piece by Joseph Keckler, performances by Hyperbody, Poor Girrrl and Miami’s very own bad bitch no-nanna-hoe Trina  – and that’s just what I witnessed firsthand.  Of the VR stuff I flexed my empathy muscles being that I embodied Dubya’s body –  naked in a tub, happily painting- thanks to an installation by Tenderclaws.

I moderated a panel called Warn a Brother with Terence Nance about how independent artist like him can preserve their voice while transitioning from independent to working with studios. Like MayerLeyva, Terence is working with One Fifty who made it possible for him to shoot his pilot Random Acts of Flyness for HBO. ‘Mobilize don’t Satiriz’e was one of a few gems that I heard Terence say about his self-expression.  Tamir Muhammad, the artist development engineer responsible for bringing them in is also working with creators like Young Guru, Lemon Anderson and  Melonie Diaz. Tamir moderated another panel called Code Switching your way to the top which included my homegirl, Dilcia Barrera, LACMA Film Curator and Sundance shorts programmer, and Walter Newman from Adult Swim. The convo was about how these cats succeed in an industry dominated by wealthy straight white men.

FILMS:  A few highlights.  For the full list of cool crazy films that played go here

OPUNTAI

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Miami native David Fenster’s Opuntia is an experimental film inspired by Álvar Núñez Cabeza de Vaca’s Relación. And is narrated by a cactus. The film explores spiritual transformation by way of the fascinating and little known Spanish conquistador turned

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Cabeza de Vaca is inside this cactus

shaman during his 8 year expedition on which he lost hundreds of men, was stripped of everything he had, wandered around naked and miraculously survived –  in part by eating the fruit of the prickly pear cactus. Fenster visits the spots Cabeza de Vaca supposedly journeyed from St. Petersburg, Florida to Ciudad Juárez, Chihuahua and weaves in a psychic medium’s point of view as well as his own personal narrative by including his father and his battle with his health.  A profound and existential adventure this was a work in progress screening.  Watch out for it.

Manila Death Squad by Dean C. Marcial

A young tenacious reporter insists on a sit-down and plays Kings with the temperamental leader of a brutal assassin group in this kitschy Filipino action film. Dean is currently working on a digital series called Midnight Service with his Calavera co-horts regular Borscht producer Brett Potter. They previously made a short film called Sea Devil  – a total masterpiece. Watch here.

[Cries in Spanish] By Giancarlo Loffredo

A young girl sings a song in a Latin cafe.  The vibes and jaw dropping twist on this one. From the dude that brought us Stripper Wars.

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Body Heals by Annelise Ogaard

A dispatch from a plastic surgery vacation, reflecting on beauty in the moment of metamorphosis after the knife goes in, but before the bandages come off. Remarkably transparent and unusual in that usually people hide themselves during their cocoon cosmetic post surgery phase. Brooklyn based creator and Vice contributor Annelise’s pov is about flaunting one’s regeneration.

Great Choice by Robin Comisar

A Borscht commissioned short film about a woman who gets stuck in a red lobster commerial.  The wacky premise anchored by an insanely real problem comes from Ghost Robot director Comisar who has fun doing stuff with Waverly Films.

One Doggone Summer by Julian Yuri Rodriguez

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Niño bueno and MTV no seasons star Julian, channels his dog lover and sentimental side with this sweet, imaginative story about a boy wants to make sure his doggy goes to heaven.

screen-shot-2017-03-02-at-10-02-17-pmAgua Viva by Alexa Haas

screen-shot-2017-03-04-at-10-07-44-pmAlexa co-directed the short film, The Glove with Bernardo Britto that debuted last year and is still making the rounds.  Her solo effort is about a manicurist in Miami expressing her inner desires, feelings, and daydreams through a language she cannot speak.

My experience with #BorschtDiez was seriously a portal of senses and provocation. It sparked dialogue around sex and gender, and somehow made time, space and matter truly feel relative.  If you missed it, well you missed out –  this time around. It always comes back around. Til then tune in and follow Borscht’s unique transmission from the 305; Follow @borschtcorp on the socials and head to their website.  Shout out to Marilyn Loddi for the on-the-scene photos.

VIVA BORSCHT

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WTF is Latino at the 2017 Sundance Film Festival

The 2017 Sundance Film Festival is officially underway, and its a special one for me because it marks my 10th year with the not for profit.  I started working for the institute in 2007 and ever since, every year from from August to November, I screen submissions as a Programming Associate, primarily Latin American and Latino films.  More than ever, I feel priviledged to watch such a volume and diverse array of perspectives.
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As for my personal mission on this blog,  I choose to talk about Latino representation in a laser focused way:  highlighting the writers and directors who are out there telling the stories they want to tell the way they want to tell it, and emphasizing the U.S. context.  As much as I love to talk about international films, the real void in the U.S. media and therefore urgent need to support, are stories created by first, second, third, multicultural generation Americans.

Overview:  Boricuas dominating. Puerto Rico most definitely repping.  Also, we got a healthy presence in Digital and Virtual Reality which makes sense beause it (WE) are the future.   Without further ado, a rundown of WTF is Latino at the 2017 Sundance Film Festival.
In the U.S. Documentary Competition

DOLORES AKA Woman in Motion directed by Peter Bratt

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Executive produced by none other than Carlos Santana and supported by the San Francisco Film Society’s Documentary Fund, this long overdue celebration of Dolores Huerta’s achievements over the course of her 60something years in civil rights is reverent, timely and galvanizing. Peter Bratt is an alumni of the festival.  He wrote and directed the San Francisco set, gay coming of age La Mission which played in the 2009 festival. Armed with a rich archive of footage, banging soundtrack and one-on-ones with Dolores herself, the film chronicles one woman’s boldness in tackling the obstacles she faced on the sociopolitical battlefield along with the personal challenges of being an absentee mother.  It encourages all women to seize claim to their often overlooked contributions to society.

Also in the U.S. Documentary Competition

DINA directed by Antonio Santini and Dan Sickles

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screen-shot-2017-01-19-at-1-08-25-pmNew to the festival, Puerto Rican Antonio Santini’s first documentary feature co-directed with Dan Sickles, MALA MALA about the trans sex worker community in Puerto Rico, premiered at the 2014 Tribeca Film Festival.  Like the intimate access of that film, Dina also has a striking sense of intimacy, unpresumptiousness and ultimately delivers an unexpected and very honest connection to someone as authentically unique as Dina.
In the high profile out of competition Premieres section

BEATRIZ AT DINNER directed by Miguel Arteta

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31343311256_1f1f040a94_zThe Sundance Film Festival showed Arteta’s very first film, Star Maps back in 1997. Ever since he’s made a career of crafting indelible characters across film and television.  He reteams with Mike White (Chuck and Buck, GoodGirl) on this deliciously wicked tale of a fateful dinner encounter between a humble holistic healer and a mega brazen successful business developer.  The two opposing forces are embodied by the superb Salma Hayek and immense John Lithgow.  Thought provoking, unpredictable and utterly engrossing, the dark comedy is produced by Killer Films. Watch an exclusive clip here.

In the bold Next section

LEMON written and directed by Janicza Bravo

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Co-written with her star and partner in crime, Brett Gelman, Janicza’s striking  feature length debut boasts an insanely big and comedically gifted cast including Michael Cera, Judy Greer, Gillian Jacobs, Martin Starr.  Along with a background in design, Bravo has a knack for capturing characters lost in flight with a tragic humor and heart. An alumni of the festival, Gregory Go Boom with Michael Cera and last year’s Woman in Deep with Alison Pill, Bravo is a busy woman.  Last May she debuted a Virtual Reality experience at Tribeca Film Festival, called A Hard World for Small Things about a day in the life of South Central, and also directed an episode of the Golden Globe winning show, Atlanta.

In the Shorts Competition

KAIJU BUNRAKU directed by Jillian Mayer and Lucas Leyva

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Marking their 12th project (features and shorts) at the festival in 7 years, multimedia mischievous artists, Jillian and Lucas bring a japanese inspired marionette short this year which like all of their work is eye-grabbing, provocative and is about more than meets the eye.  The Miami full time Borsht Corp is a nonprofit which supports Miami filmmakers, they recently supported 28 filmmakers with cold hard cash all of which are poised to premiere at their festival which has been listed on Moviemakers 25 Coolest Festivals in the world.  For more info on this February’s event click here.

GOOD CRAZY written and directed by Rosa Salazar

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Making her directorial debut, actor Rosa Salazar stars in this short shot around the hipster rising area in LA named Frogtown. The logline: A complex chick deals with a vanilla beau, a shitty brunch, and a dead coyote all in a Los Angeles day. Heart.  Excited to see more of her writing and directing.

In the newly minted, Short Form Episodic

GENTIFIED written and directed by Marvin Lemus

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Marvin Lemus who made a short film with Project Involve called Vamonos which I loved (you can watch it on PBS online) will be premiering 3 episodes of this series that takes place in Boyle Heights.  Each episode features a resident trying to pursue their living/art. Lemus hits a chord/funny bone here as most of the tension and strife is intergenerational; old school mexican generation clashing with millenials.  The series is backed by Mr. Charles King and his company Macro.  Lemus is in good company.  Macro also produced Denzel Washington’s Fences, and at the festival Dee Ree’s WW2 period Mudbound.
In the animation spotlight

VICTOR Y ISOLINA by William Caballero

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screen-shot-2017-01-19-at-11-43-57-amIts only three years ago that William popped up on the radar with his animated series Gran’pa Knows Best, a really funny and sweet series in which he used 3-D printed miniatures of his Puerto Rican grandfather over real voicemails that his grandfather from would leave for him. Initially an independent short, it was quickly snapped up with HBO.  Victor y Isolina introduces his grandma to the mix, who is the perfect foil to his unapologetic grandpa.  Produced by Elaine Del Valle who produced her own webseries, Reasons y I’m Single.  Check out his website for more info.

In the New Frontier (the future) section

NEUROSPECULATIVE AFROFEMINISM

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screen-shot-2017-01-20-at-9-47-55-amI don’t know much about this one but the description sounds super fascinating; a beauty salon of the future’. Fingers crossed I get an opportunity to experience it while I’m here.   Also I’m dying to meet one of the artist/engineers, Carmen Aguilar y Wedge who founded Hypen-Lab, an international team of women of color working at the intersection of tech, art, science and narrative.

IF NOT LOVE by Rose Troche

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I been crushing hard on Rose Troche for as far back as I can remember.  Go Fish changed my life.  No joke.  She was a producer on Concussion, and has since come back to the festival in the New Frontier program with a series called Perspectives, which puts you in the shoes of a person caught in a situation a result which shatters any idea of black and white and makes you swim in the gray.  Per the description:  IF NOT LOVE challenges the viewer to contemplate another difficult subject—a mass shooting at a nightclub, but this time with the question posited: is another outcome possible?

OUT OF EXILE: DANIEL’S STORY by Nonny de la Peña

I mean, she’s been called the Godmother of Virtual Reality.  Nonny de la Peña also returns to New Frontier with this piece that recreates Daniel Ashley Pierce’s coming out video that went viral.  If you don’t know the heartbreaking and inspirational story read here This experience puts your body into the middle of the action around audio that Daniel recording during that encounter.

For deeper coverage on Latino and Latin American talent at the festival check out REMEZCLA.  For a closer look at all documentaries at the festival head over to What (not) to Doc.   Livestream the festival’s panels and watch select shorts from home. And follow my BTS on Twitter @IndieFindsLA and insta ChicanafromChicago.

WTF is Latino at the 74th Golden Globes?

Quick answer: Not much.  But it’s too easy, not to mention unproductive, to bemoan and criticize awards shows for their lack of recognition when it comes to Latino writers/directors.  Unfortunately there isn’t much of an eligible pool for these big awards shows to consider (why that is -for another post).  Also, for those new to my blog; I define Latino strictly in the American generation/context, not international, and I focus on creators (writers and directors).  Now lets celebrate who we do got because it’s pretty cool that of these few American Latino writers/directors in the Golden Globes mix, they happen to be all WOMEN!

Although it is the showrunner/producers who accept the Best TV categories, the writers and directors of the nominated shows obviously are part of what makes the show stand out. To that end, lets give props to the ladies that contributed to the critical success of these nominated series:

jnl2In the Best TV Drama series category, there is Jessie Nickson Lopez, staff writer on Netflix’s STRANGER THINGS.  The young Columbia University grad was raised between Canada and the U.S. and has Venezuelan roots.    After a brief stint at ICM followed by being staffed on A&E’s short lived The Returned, she worked as assistant to Moira Walley-Beckett (Breaking Bad EP/writer) on STARZ ballet drama, Flesh and Bone which was nominated for a Golden Globe last year in the Best Television Limited Series category.  Stranger Things debuted this summer to much acclaim and hype with eight episodes.  She wrote episode 6: The Monster.   The show will be back for season 2.

In the Best TV Comedy series category, Mexican-American Linda Mendoza has directed 4 episodes over the course of the 3 year old series BLACKISH from ABC.  Mendoza has been directing hit television show episodes on the regular ever since The Chris Rock show on which she directed 13 episodes during 97-98 season.  Except for her 2003 feature Chasing Papi for Pantelion, she has stayed entrenched in the television business.

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bravoWINNER ********Also in the Best TV Comedy series, Panamanian Janizca Bravo directed an episode of another new show that came in hot this year, ATLANTA. Her episode was Junteenth.  Bravo has a great eye and very soulfully brings a dark comedy to her work. She has directed a number of short films as well as a virtual reality project about police brutality that was featured at the Tribeca Film Festival.  She is about to premiere her feature debut, Lemon at this month’s Sundance Film Festival, so you’ll be hearing a lot more of her in the next few weeks.

As mentioned, award shows can only be as representative as the eligible pool so to be fair, what features and television shows were eligible and were snubbed THIS YEAR? I regret to say I lack hard data and to be honest I’m not as well versed in the television landscape as I am in the indie film world  (new years resolution!).  A few I do know who we’re technically elegible bear mentioning; Danielle Sanchez-Witzel who is the showrunner on The Carmichael Show on NBC didnt get any GG love. Empire which was nominated last year has a writing room that includes Carlito Rodriguez who is also co-producer. He previously wrote on the first season of HBO’s The Leftovers. Orange is the New Black which boasts a killer Latina cast who didn’t get recognized- includes Marco Ramirez as writer.  The Get Down includes Jacqueline Rivera as staff writer who also directed an episode. While Gina Rodriguez gets her third nomination (and sole Latina acting nominee) for her acting on Jane the Virgin the show didn’t get any love this year (It was last nominated in 2015 the year of its debut).  The show consistently engages Latina scribes, Emmylou Diaz and Valentina Garza, and director Zetna Fuentes.  In previous years Hulu’s hit show East Los High received a number of daytime Emmy Awards but the Globes never recognized the show which was created by Carlos Portugal and included a robust number of Latino writers.  NBC’s Shades of Blue wasn’t nominated which includes writer Benjamin Lobato who also wrote on USA’s Queen of the South another show that premiered this year.  Peter Murrieta wrote on TV Land’s Lopez show.  Just recently premiered, so not part of this year’s submissions, Netflix’s One Day at a Time counts Murrieta as a writer and notably  Gloria Calderon as showrunner (next year?)

screen-shot-2017-01-08-at-6-21-12-pmLast year we had Ricky Gervais prophetically introduce Eva Longoria and America Ferrara as folks our future president wants to deport.  Conceptually (painfully) funny to prove a point/Brit rub it in move, except both are American citizens. The ladies proceeded to do a bit on people mistaking them for other famous Latinas. Among this year’s presenters, Zoe Saldana who plays Ben Afflecks love interest in his period gang drama Live by Night is the only American Latina on deck. The Dominican American is known to speak flawless Español.  Her body of work is fascinating in that she’s managed to play Black, Latina and now simply blockbuster actor (Guardians of the Galaxy, Avatar). Saldana has a production company Cinestar which she runs with her sisters and has a first-look deal with South Shore Television and Pantelion Films, the U.S. joint ventures of Grupo Televisa and Lionsgate. Hopefully they manage to bring up and work with some talented Latino creators.

In the Best Original Song category, musical star Lin Manuel-Miranda was nominated for his work on How Far I’ll Go with Mark Mancini and Opetaia Foa’i.

 

 

WTF is Latino @LAFilmFest?

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By LA artist Carolyn Castaño

If you are like me, you make local film festival plans last minute, which makes my annual WTF is Latino at LA Film Festival post not so much late as just (still) in time for you to make a few movie selections this weekend and next week.  The festival started last Wednesday, June 1 and runs through Thursday June 9th.  PDF of schedule here.

 

In full disclosure I am a Programming Consultant for the festival. These aren’t reviews as much as hopefully an insightful guide. My purpose in this series is not only to spotlight Latino writers/directors and monitor representation, but also to challenge notions of WTF is Latino.  It is a U.S. context classification that is vast; a generational and geographic diaspora.  The term Latino is often mistakenly appropriated to international filmmakers/talent from Spanish and Portugese-speaking countries.  Alejandro Gonzales Inñaritu is not Latino or a Person of Color guys.  I’m talking about ‘Merican – Latinos.

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Cars at the Hollywood Lowriders film premiere courtesy of the De Albas

The biggest change at the LA Film Festival is that it has moved from DTLA’s L.A. Live Regal Cinemas to the West side in Culver City’s Arclight Cinemas. The festival has scaled down considerably from 2014’s nearly 200 features to this year’s 56 feature-length film lineup. It underwent a programming department shakeup last year, the result of which it achieved an unprecedented shift towards more inclusive representation. The festival also established a strict world premiere requirement outside of a few special screenings and the Buzz section in order to give new films a shot.  For the second year in a row the festival remains leader of the mainstream festival pack with keeping true to its diversity mission.  43% of the films in competition categories are directed by women; and 38% of the films are directed by people of color. 86% of the films in competition are directed by 1st or 2nd time directors.

About the U.S. Latino rep –  there’s 5 US. Latino feature-length writers/directors I can identify which comes out to roughly under 10%. In front of the camera the program includes co-starring/cameo roles from established actors like John Leguizamo, Eva Longoria, Lauren Luna Velez, Elizabeth Rodriguez, Judy Reyes, Emily Rios as well as hot rising talent like Gabriel Chavarria, Yvette Monreal and Victor Almanzar.

Screen Shot 2016-06-04 at 11.57.15 AMLOWRIDERS directed by Ricardo de Montreuil, written by Elgin James and Cheo Hodari Coker.

Everyone agrees that the film’s theme made this the perfect LA Film Festival world premiere and while I’ll take full credit in pitching the film to the festival, I certainly cannot take credit for giving it the prestigious Opening Night slot which speaks to Festival Director, Stephanie Allain’s mission of centering underrepresented films as festival headliners. About the film’s pedigree: The film was conceived by Hollywood producer Brian Grazer who grew up fascinated with the lowrider culture. Grazer enlisted Peruvian filmmaker Ricardo de Montreuil to direct, who with his super talented Colombian DP Andres Sanchez, captures the landmark bridges, hills, hotspots and avenues of El Sereno, Echo Park, Elysian Park and Boyle Heights.  But its LA born and bred legendary tattoo artist Mr. Cartoon and photographer Estevan Oriol, listed as executive producers, along with co-writer Elgin James, who lend the film some cred and streak Screen Shot 2016-06-04 at 11.59.21 AMof authenticity into this male-dominated club culture.  In front of the camera is East Los Angeles native Gabriel Chavarria (East Los) who plays Danny Alvarez, the graffiti artist son of a an OG lowrider club member. Cast is rounded out by Italian stallion sweetheart Theo Rossi (Sons of Anarchy) who plays his brother, Guatemalan-American Tony Revolri as a friend, Academy Award nominated Mexican actor Demian Bichir (A Better Life), Eva Longoria and Yvette Monreal. The Grazer/Blumhouse production, which is said to have cost around 5 million, has yet to announce a release date let alone a trailer or social media campaign.

LUPE UNDER THE SUN written and directed by Rodrigo Reyes

A bittersweet tale about a fascinating and flawed man who comes to an unsettling realization about his impermanence.  Set in Merced, California where Mexican-American filmmaker Reyes is from, Lupe Under the Sun is slotted in the World Cinema competition.  I listed this film as one of my top 10 films to watch out for in 2016 so I’m so excited to see it get its first festival premiere. While it makes sense to tag the docu-fiction film under immigrant struggles, don’t get it twisted. Reyes’ sophomore film smartly eschews politics  and portrays a personal and deeply moving character’s existential crisis.

@LupeUnderTheSun

11:55 directed by Ben Snyder and Ari Issler, written by Victor Almanzar

The title is a sly evocation to a 3:10 to Yuma type western duel in that it sets an increasingly tense timer from Marine Nelson Sanchez’s early morning return back home to that night’s arrival of a bus carrying a dangerous antagonist who blames him for the death of his brother and is out for revenge. Dominican-American Victor Almanzar who is a real life Marine, stars and co-wrote the film.  The story is tight and oozes tension from the get as his homecoming is quickly overshadowed by the looming danger which conflicts with his genuine desire to move forward with his girlfriend and protect his sister and niece. Bomb performances by Victor and Elizabeth Rodriguez as well as John Leguizamo who plays a veteran in a wheelchair (damn he is good at drama). About the directors, both cinematographers in their own right, Ben Snyder notably was a Story Consultant for documentary The Wolfpack and did additional cinematography for Nas: Time is Illmatic, while Ari has shot music documentaries like Brothers Hypnotic and the Hip Hop Project.

 

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72 HOURS in Brooklyn: A Love Story directed by Raafi Rivero, co-written with Bilal N’Dongo

The film had its first world premiere screening Thursday night so if you missed it I urge you to join the campaign to demand an encore screening slot.  I hope it happens. This is a must watch as its an incredible feat of collaborative and guerilla filmmaking.  It is a ridiculously authentic and compelling feature of interweaving slices of Black youth in Brooklyn led by one college-bound 18 year old Caesar Winslow’s pursuit of romance across Brooklyn.

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When I asked Rivero how he defines his cultural background, he said Hip Hop. Which is a good reminder how each person identifies with their own distinct cultural upbringing (Okay he’s got a grandfather from Cuba).

@72HrsBK

#72HrsBK

ACTORS OF SOUND directed by Lalo Molina

The craft and history of Foley for all you Foley junkies. A documentary playing in the LA Muse section.

Making the rounds on the festival circuit since Sundance and SXSW is short film, The Send-Off directed by Ivette Lucas playing in Documentary Shorts program 1.

 

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Dir Amber Tambyln with Emily Rio

 

Emily Rios (From Dusk til Dawn tv, The Bridge, Quinceañera) plays Alia Shawkat’s  punk no nonsense best friend in the film adaptation of Paint it Black written by Janet Finch.  It’s notably quite an impressive and dynamic directorial debut by actor Amber Tamblyn. The film is premiering in the U.S. Competition.

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Lauren Luna Velez has a deliciously wicked role as police chief in the ultra-fun action violent cult comic adaptation Officer Downe about an L.A. supercop who is killed in the line of duty but is  resurrected to clean up the streets. The joy ride is directed by M. Shawn Crahan (Slipknot) screening in the NightFall Section.

Judy Reyes (Scrubs) is called on to soothe the anxiety of a young girl’s first period and welcome her into womanhood in comedy Girl Flu written and directed by Dorie Barton, screening in the LA Muse section.

and now MISC: A couple of my recent festival faves and must-see’s if you can catch them at the fest.

Screen Shot 2016-06-04 at 12.59.04 PM.pngKICKS, the pulsing and striking directorial debut of Justin Tipping is co-written with Joshua Beirne-Golden. Both of whom incidentally wrote an original script for Lowriders at one point and ultimately received co-producer credit. The Oakland set film stars stunner talent Jahking Guillory who decides to go after whats his (the Air Jordans he bought himself which he was jacked for) ultimately sending him on an irrevocable path torwards confronting what it means to be a man in his social construct. The film  premiered at the Tribeca Film Festival. #KicksFilm

JEANS OF THE JONESES – saw this really witty matriarchal comedy at SXSW by first time filmmaker Black Canadian Stella Meghie starring Taylor Paige as a hopeless in love, adorably searching writer.

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Follow the latest scoop @LAFilmFest, check out their YouTube videos for daily coverage and interviews, and for more info go to website or call box office: 1 866 Film Fest.

Heading to the Westside so stay tuned for more via my twitter handle: @IndieFindsLA

WTF is Latino at SXSW FILM?

3026402-inline-i-17-an-oral-history-of-sxsw-interactiveI’m getting all psyched up just thinking about this weekend when I’ll finally be seated at the Alamo Ritz on 6th street, ordering my refreshing Paloma cocktail, and sitting back to watch some wildness that SXSW Film selected. Yep, its the 2016 SXSW rodeo.

Of course I’m talking about the mega mega South by Southwest Interactive/Film/Music Festival and Conference kicking off this Thursday from March 11-20 in Austin, Texas.

So what’s the Latino presence?  Lets go wide for this one. For the past two years SXSW has tagged its Ibero and Latin American programming across film, interactive and music, under the umbrella SXAméricas. This year, Brazil and Spain have the biggest presence in the film program (3 features for Brazil, 5 films/filmakers from Spain).  For the first time in the festival’s history there is a film from Ecuador, UIO: Take Me for a Ride (although back in 2014 Austin based Ecuadorian-American filmmaker Alex R. Johnson had his film Two Step in the fest) which is notable for its rarity.  Major KEY alert, Uruguayan filmmaker  Fede Alvarez will be dropping his mysteriously under wraps untitled Ghosthouse Thriller.

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bad cop, bad cop

Personally I cannot wait to see WAR ON EVERYONE by the wicked Irish hooligan John Michael McDonagh (The Guard, Cavalry, also his brother wrote/directed the savagely entertaining IN BRUGES).  War on Everyone which premiered in the fancy Berlinale last month is a black, pulpy buddy cop flick filmed in ‘Burque’ New Mexico. The film stars Michael Peña, Alexander Skarsgard, Tessa Thompson and Miss Bala/Bond girl Stephanie Sigman.

 

 

I usually try to focus on only U.S. Latino writers/directors, but I’ll expand and be global for this edition as there is just too much cool filmmaking and stories coming from South America and Spain.  Also, this is by no means a definitive list of WTF is Latino but a pre-curtain look. More once I’m on the ground!

PET directed by Carles Torrens

One of five directors Vice says is going to save Spanish Cinema, Carles Torrens’ second feature film, Pet is premiering in the Midnight section. From Barcelona, Torrens graduated from Chapman University. A psychological thriller in which Dominic Monaghan plays a man who runs into an old high school classmate he use to have the hots for. His creepy attempts to romance is met with rejection. Naturally, he takes her prisoner at the dogpound he works at to teach her a lesson, only to find that she is not who she seems. Torrens’ first directing feature was Apartment 143 written by Rodrigo Cortes (Buried with Ryan Reynolds). Previously Torrens directed shorts like the twisted thriller Sequence, which has played over a hundred festivals. Pet teaser below.

12828500_1070131749697280_3048930164827168970_oOVARIAN PSYCOS directed by Joanna Sokolows and Kate Trumbull-LaValle

The OVA’S ARE COMING!  It’s so rad to see this documentary about the badass cycling brigade, Ovarian Psycos get its world premiere at South By. I have been talking about this one on here since its first Kickstarter, and last year’s Top Docs to Watch Out for list.  The filmmakers managed to successfully crowd-fund a second time on Kickstarter in order to fly and put up members of the collective from the Eastside  EL-Lay in Austin and represent at the world premiere.  Don’t be surprised to see the sisterhood ride through the street raising awareness for social issues that affect all women. In fact I’d follow them on Twitter so you can join in. Austin has a great rental bike program.

 

Screen Shot 2016-03-07 at 7.54.00 PMUNTITLED GHOST HOUSE THRILLER written and directed by Fede Alvarez

With no confirmed title yet nor film stills out there, this second original film from Alvarez is about “a group of teens break into a blind man’s home thinking they’ll get away with the perfect crime. They’re wrong.”  This is the guy who six years ago caught fire when his 5 minute short film Panic Attack made the rounds and ultimately got him the gig to helm the 2013 Evil Dead reboot which is bananas.  Only info that is clear on this one is that Jane Levy stars, its from Sony Pictures and Sam Raimi produces. It’s been referred to and on IMDB its listed as A Man in the Dark.  Fede has also been rumored to be director of Warner Bros’  Dark Universe. Fede has also directed episodes of Robert Rodriguez’s From Dusk Til Dawn TV series.

TRANSPECOS co-written and directed by Greg Kwedar

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“The border is a shifting line.”

A thriller set in the dry outposts of Texas in which border patrol men, two of who are played by Latinos, Clifton Gonzalez and Gabriel Luna, stumble onto evidence that may lead to a plot between the cartel and one of their own. I read the script a while ago and remember vividly visualizing the filmmakers’ cinematic western noir intent. Given the score is co-written by The Revenant composer, Bryce Dessner, and it the film shot by Jeffrey Waldron, a versatile commercial, documentary and indie film D.P, it will surely deliver on that front.  Kwedar, who previously produced the documentary Rising From Ashes, about Rwanda’s first ever cyling team, teamed up with Texan filmmaker, Clint Bentley to write his feature directorial debut. I’m eager to report back on this one.  Last border fiction tale I saw that flexed its thriller genre (unfortunately over story) was El Desierto from Mexican Jonas Cuaron which ultimately suffered from oversimplistic storytelling.

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Twitter

From-Nowhere-Photo-1FROM NOWHERE co-written and directed by Matthew Newton

In Narrative Spotlight, From Nowhere is the film adaptation of the play, No One Asked Me written by Kate Ballen, whose 10 year experience as a counselor at a Bronx high school where she helped undocumented students navigate the college admission process became the basis and inspiration to tell this story.  Australian director/actor Newton directed No One Asked Me as part of Fringe NYC festival last fall.  Newton previously directed Three Blind Mice which premiered at the Toronto International Film Festival.  Julianne Nicholson ostensibly plays Kate as the teacher and the students are played by J. Mallory McCree (Quantico, We Need to Talk about Kevin), and newcomer Octavia Chavez-Richmond.

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INSATIABLE directed by Brett A. Schwartz

Homaro Cantu was a goddamned trail blazer.  Legend has it that he came to Chicago with $300 in his pocket and camped out at famed master chef Charlie Trotter’s until he gave him a job.  He shortly thereafter became his sous chef. In 2003 he opened up his avant garde restaurant Moto which became a prized Michelin star rated restaurant and blew up Chicago on the culinary map. He was a beloved figure in the chef community so the news of his death last spring at age 38 rocked everyone’s world.  My sister, Diana Davila who is a chef in Chicago idolized Cantu so much that she had her engagement dinner there.  Apparently filmmaker Brett A. Schwartz was granted a fair amount of access for the three years he followed him. The aptly titled film focuses on Cantu’s game-changing culinary practices, mad passion for the intersection of science, art and health, and deep imprint he left as a molecular gastronomy pioneer.

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SHORTS

THE SEND-OFF by Ivette Lucas and Patrick Bresnan

I previously wrote about Ivette’s film Mexican Fried Chicken. Her new documentary short with filmmaking partner Patrick Bresnan premiered at Sundance earlier this year.  The film is a fly on the wall look at a group of seniors from a Central Florida high school as they they prep and dress for the big prom affair which includes their local block party show where the royally dressed young couples pose for snaps.

PHIL’S CAMINO directed by Jessica Lewis and Annie Oneil

A first film, and a really moving half hour doc short about Phil who has stage four cancer and decides that to ‘heal’ himself he is going to trek the 500 mile Camino de Santiago pilgrimage in Spain.

International films

EAT MY SHIT written and directed by Eduardo Casanova

You know you want to watch.  Here is the full 3 minute shit.

The 23 year old filmmaker’s bio: Cinema is what I truly believe. Cinema is the cause and solution for every trouble I have. Cinema to me is like morphine to Bela Lugosi, like Richard Burton to Liz Taylor, like red lights to Dario Argento, like big boobs to Russ Meyer, like Lynch and the dwarfs.

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VICTOR XX written and directed by Ian Garrido Lopez.

Trailer above for the 20 something min short from Spain which was incubated and premiered at the Cannes Film Festival.   The film’s synopsis: “Victor likes to experiment with his gender. He doesn’t know if he feels like a boy or a girl.”  The actor who plays Victor, Alba Martinez is magnetic. Bravo to Ian, a 27 year old transgender filmmaker from the south east Mediteranean coast of Spain for directing the performance and bringing this story to the fore.

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Screen Shot 2016-03-07 at 11.18.32 PMSEMANA SANTA written and directed by Alejandra Marquez

I previously wrote about this first feature in my last Mexican film roundup post. Making its U.S. premiere after playing Toronto up north and Los Cabos down South, the film is a keenly felt and compelling story set in a run down Acapulco during Easter holiday.  You might recognize Tenoch Huerta from Dias de Gracia, Gueros, Mozart & The Jungle.

56babbf32109cUIO: TAKE ME FOR A RIDE co-written and directed by Micaela Rueda

LGBT film from Ecuador, a co-production with Mexico and Colombia. Michaela has spent the last five years working on her first fiction feature debut, working from a script by Juan José Valle.  You can see the trailer on the film sales agent site M-Appeal

Screen Shot 2016-03-07 at 11.30.55 PMKILL ME PLEASE written and directed by Anita Rocha da Silveira

First premiering at the Venice Film Festival this impressive next level teen angst tale is a first feature from Brazil/Argentina. Set in a newly developed city in Rio de Janeiro the story’s backdrop is a wave of murders which calls 15  year old Bia’s attention. The filmmaker says, “Bia is someone who wants to kill herself yet wants to carry on living, experiencing everything to the edge – she wants to be killed but also wants to kill, wake up the next day, and do it all over again.”  Sounds dope.

DEAD SLOW AHEAD co-written and directed by Mauro Herce

The hums, deep waves and barge ship motor noises makes for a really hypnotizing minimal film from Spain. Check out the trailer here. Born in Barcelona in 1976, Mauro Herce graduated in engineering and fine arts before enrolling in top film school Cuba’s San Antonio de los Baños.

JULES AND DOLORES cowritten and directed by Caito Ortiz

Selected in the Visions section, the more ‘audacious’ filmmaking section, this 1983 set Brazilian caper about stealing the world cup trophy looks like pure boogie down fun.  You can see trailer here.  Caito Ortiz is on the director roster of slick advertising and entertainment company Prodigo Films.

THE SPACE IN BETWEEN – Marina Abramovic and Brazil

Directed by the Sao Paulo cinematography artist, Marco Del Fiol.  All you need to know is that this is Marina’s trip and we are along for the ‘hardcore and spiritual’ ride.

 

Rafael Palacio Illingworth’s Between Us finds world premiere berth at the 2016 Tribeca Film Festival

In my last post I highlighted Rafael Palacio Illingworth and his intense relationship drama, The Force now called Between Us. Very cool to share the announcement that it will premiere at the Tribeca film festival this April. Lucky new yorkers!  Browsing through the list I’m also pleased for Cecilia Aldarondo’s documentary Memories of a Penitent Heart, a very personal film in which she rattles some family secrets comcerning her estranged gay uncle. And I am so stoked for the opener, KICKS, a script I fell in love with years back. Justin Tipping and Josh Beirne-Golden have two back to back features unspooling this year, this bay area sneaker caper and LOWRIDERS which they wrote and peruvian Ricardo de Montreuil is directing, starring Tony Revolori. Check out rest of the fest list here:
The 15th annual New York festival has unveiled about half the films on its 101-feature lineup, with 55… Read more »

http://variety.com/2016/film/news/tribeca-film-festival-2016-slate-competition-viewpoints-1201719788/