NALIP 2013 PROMISES DISCOVERY AND DEBATE

NALIP posterThe National Association of Latino Independent Producers (NALIP) is ramping up for its 14th Annual Conference this weekend and to my great gusto, the discourse promises to be more specific, relevant and fresh than last year on how to empower Latino independent storytellers. Judging by the practical and forward-thinking panel discussions, NALIP’s Official Selection YouTube channel showcasing a curated selection of current film trailers, and the hip, savvy talent invited to represent, NALIP is setting the tone for discovery and healthy debate.  Chief among the themes will be a contextualized creative response to the much-propagated Latino trillion dollar purchasing power statistic, and how to strategically seize territorial claim to the wild wild west expansion of online distribution platforms.

Pena
Bebeto Matthews/AP

Among the established and rising American Latino actors and filmmakers on tap are Richard Montoya, Cristina Ibarra, Aurora Guerrero, Gina Rodriguez, Danny Trejo, Jeremy Ray Valdez, and Jesse Garcia.  The keynote speech on Friday will be given by none other than Richard Peña, one of the most influential film curators in the world who headed the prestigious Film Society of Lincoln Center for twenty-five years.  It will be an insightful and thoughtful conversation moderated by the sensitive, masterly formal documentarian and MacArthur Genius Grant fellow, Natalia Almada.  As this year’s NALIP Conference Co-Chair, Almada helped inform the direction of the conference and scored Peña’s participation.  When talking about how each year’s conference organically takes shape with the feedback of board members, staff and hosting committee, Beni Matias, Acting Executive Director of NALIP, referenced Natalia’s concern of prominently featuring the voice of the independent filmmaker over the commercial as a guiding pursuit.

Natalia’s involvement with NALIP goes back to 2003 when she became the recipient of the Estela Award, given in recognition to an emerging filmmaker who has ‘arrived’. Her revelatory documentaries include El Velador, El General and Al Otro Lado – all which have been critically acclaimed worldwide and have been featured in museums and screened at film festivals including Sundance and Director’s Fortnight at the Cannes Film Festival. I asked her to share a few words about NALIP’s import and she replied over email, “I think that more than anything else the conference is a place where we can really exchange ideas, address shared concerns in our community and collectively fuel to keep going”.

Natalia is part of the sub-cine filmmaking crew who came of age through NALIP like Cristina Ibarra, Alex Rivera and Bernardo Ruiz. In fourteen years the organization has managed to be one of the few consistent Latino forums which has nurtured a family of artists/active organizers.  Along with Beni Mathias, Maria Agui Carter who is a filmmaker and the Chair of the Board of Directors, has been actively with NALIP since the beginning.  Other members who have continued to be involved with the organization since the beginning include Louis Perego Moreno who use to spearhead chapter leadership meetings, Jimmy Mendiola filmmaker and Director of CineFestival in San Antonio, Frank Gonzalez from Disney/ABC, Kim Meyers and Terri Lopez at WGA, Alex Nogales, to name just a few. NALIP has also enjoyed a sustained relationship with Time Warner and HBO who have taken turns at being the presenting partners of the conference since 2000.

Part of the reason I’m so eager to engage with and synthesize this year’s theme is this following text written by Maria Agui Carter to describe the Opening Plenary:

“Forbes magazine has called the Latino Market the “New Media Jackpot.” What is at stake? Why is every network and cable outlet now chasing the Latino market and how are Latino voices participating in this explosion not just as consumers but as creators?

There it is:  “But as creators”.  Amid all the hoopla over the rising Latino market data that makes corporate brands salivate over how to exploit us as consumers, I have yet to hear any of us fashion a reckoning of a counter creative force.  We should be imagining how to harness, demand and unleash our creative power with that kind of purchasing power.  Instead, the data is being used to make us a target of a non-stop branding attack in which the depletion of our capital power and identity is at stake.

Aimed to provide a more significant showcase for Latino filmmakers, NALIP is spotlighting recent films on their NALIP YouTube channel.  They’ve done away with the NALIPsters On View programming where members could openly screen their work during the conference.  Those screening rooms tended to be lightly attended since there was little visibility and competition from the panel programming. Instead, this year NALIP will be uploading trailers of current and upcoming films starting Thursday, June 6.  The plan is to build buzz and promote the curated selection of 15 documentaries, narrative features and shorts.

W&P

Without a doubt, the most anticipated happening of this year’s conference will be the NALIP and Sundance Institute screening of Richard Montoya’s debut feature film, Water & Power at the AMC CityWalk.  The impact and influence of this Chicano icon will be evident by the droves of fans, familia and homies, a wide range of community activists, artists and politicians who will be in attendance – La raza who reflect the young and old blood of the characters he writes.  I listed W&P as number one in my top five movies to watch out for in 2013 so I’m thrilled to see it screen this way.  Richard Peña will moderate a Q&A with Montoya after the screening.  I couldn’t think of a better filmmaker and moderator pairing.

On Saturday at the Awards Gala, Machete Kills star Danny Trejo, the menacing but actually sweet hood actor will be presented with a Lifetime Achievement Award.  Aurora Guerrero, filmmaker of Mosquita y Mari will be honored with the Estela Award that comes with a $7500 grant from McDonalds.   And in what will surely be an emotionally inspiring moment, the first ever La Lupe Award will be bestowed to Gina Rodriguez.  Her effervescence completely evokes the spitfire tenacity of the late great Lupe Ontiveros.  I couldn’t think of a more perfect homage and passing of the torch.

While I found last year’s panel topics all over the place, this year it feels more targeted and practical.  Panels like Beyond The Latino Market: Getting Your Film Out To A Wider Audience with Gabriel Reyes, Writing on American Latino films moderated by Carlos Gutierrez of Cinema Tropical, the leading cross platform company promoting Latin and Latino Cinema (and yours truly will be participating!), Whatever It Takes: DIY Technology and the Democratization of Content Creation, Major writing programs and initiatives at networks and studios for writers.

On Sunday the Closing Plenary will be Latinos and Media Stereotypes in which Natalia Almada, Richard Montoya, Maria Agui Carter, Yancey Arias will participate and moderated by Mandalit del Barco of NPR.  These are all highly experienced, opinionated individuals with distinct tastes and critical contribution to content so I expect this to be one of the more livelier talks.

Overall, this year’s NALIP conference is about to go off!

NALIP 2013 Spotlight on the Trillion Dollar Latino Market will take place June 7-9 at the Universal Sheraton Hotel.

For a full list of speakers and panels here available at http://conference2013.nalip.org/conference/keynotes-speakers/

To find out more about NALIP click here

Docs due to break through: Top 5 American Latino Docs to watch out for in 2013

Last week I offered up my top 5 fiction films to look out for in 2013, and as promised, here is my non-fiction list of films coming down the pipeline, bound to make an impression and impact this year.  Two are profiles of influential iconic American activists whose work and spirit have left indelible marks on their generation. Hopefully  their reintroduction through the docs will serve to celebrate and carry on their positive influence as Latinos for many next generations.  The other films deal with redefining our perception of American identity, gender and human rights while wielding cinematic ingenuity and power.  As these films prove, docs can be just as striking in their characterization and cinematic form as their fiction counterparts, in addition to their intrinsic educational value.  Take note, all of these are seeking opportunities to engage with their audiences so again click on the links to follow and show your interest in their work so we can bring awareness and demand their exhibition.

MARTHAS_Daniella_2009     1.LAS MARTHAS by Cristina Ibarra, produced by Erin Ploss-Campoamor

In Laredo Texas, there exists a debutante ball held by the exclusive Society of Martha Washington that takes place every year celebrating George Washington’s birthday.  A 114 year-old tradition, the lavish affair presents members’ daughters- all of aristocratic pedigree and lineage dating back to the foundation of Texas, who dress up in grand, colonial gowns representing characters from the American Revolution.  Las Marthas follows a couple of high achieving, bi-literate and conscious young Mexican Americans going through the lengthy preparations as they enter this rite of passage that ends with a parade that draws huge crowds.  What’s especially remarkable about the whole patriotic event is that we are talking about a city that is 94% Latino.  Laredo became part of Texas in 1848, when everything north of the Rio Grande became the United States.  Many families who stayed, benefited off the oil boom and settled into an upper class aristocracy.  Many generations later these are still the most prominent Laredo citizens and proud bearers of this historic tradition.

I’m so proud of this Chicana sister for revealing this world.  She has intuitively seized on and explored this unique legacy, which clearly demonstrates the vibrant bi-culture of Texas and shows how aptly the founding father narrative belongs to Mexican Americans.   She is also working on a fiction feature titled Love and Monster Trucks about an 18-year-old Chicana artist named Impala Mata who can’t wait to escape her 4×4 truck-obsessed, Texas bordertown family.  Sounds so cool.  Need to track that one too.

Filmmakers website here

cesareats2.  CESAR’S LAST FAST by Richard Ray Perez, produced by Molly O’Brien

Back in the Spring on Chavez’s anniversary I wrote about this documentary in progress here on the site.  Cut to today and I’m happy to share it is just about ripe and ready for its premiere.  Wisely and effectively entering the vast legacy by angling on Chavez’s 1988 Fast for Life, the film focuses on conveying the private sacrifice and spiritual conviction behind Chavez’s struggle for the humane treatment of American farm workers.  With each and every day adding up that he refused to eat in protest of the rampant use and ill effects of growers spraying pesticides on farm workers, Chavez seriously risked his health and life and in turn inspired a nation.  It boasts never-before-seen footage in which artists and activists came to see him, endeared in solidarity by his fortitude, including the likes of Rev. Jesse Jackson, the Kennedy family, interviews with his son Paul Chavez, Chicano filmmaker Luis Valdez, activist veteran, Dolores Huerta and Martin Sheen, along with showing the press hoopla this man was able to attract back then. It’s taken years for the family to trust someone with his story so it’s telling that Rick has managed to gain their support.

Film contact  <CesarsLastFast@earthlink.net>

Website, Facebook

RUBEN-SALAZAR-PREVIEW
created by Ernesto Yerena. Click on the image to see his work.

3.  RUBEN SALAZAR:  MAN IN THE MIDDLE by Phillip Rodriguez, produced by City Projects

On August 29 1970, just as the Chicano Moratorium March, a protest denouncing the extremely high number of Chicano soldier casualties in Vietnam (front of the line browns), was winding down, a tear gas canister was suddenly thrown by LA County police into the old Silver Platter Cafe on Whittier Blvd, killing the pioneering civil rights journalist Ruben Salazar.  Set to broadcast on PBS in the Fall, this documentary is the first thorough investigation into the life and mysterious death of Salazar who was raised in El Paso and went on to become a brilliant reporter covering Vietnam, the Olympics and the Chicano movement for the LA Times and KMEX TV 34 television, making him the first Mexican American to cover news for mainstream outlets.  In that critical and turbulent moment in the Chicano rights movement, Salazar gave voice, rationale and dignity to Chicanos’ fight to demand equality.  An inquest was later regarding his untimely death made but murder charges were never brought.  Instead Los Angeles County paid $700,000 to the Salazar family to settle a wrongful-death lawsuit.

Just last month, after two years of requests, Philip Rodriguez finally won the battle to uncover case details when MALDEF sued Sheriff Lee Baca for withholding unredacted records regarding the 42 year old case.  This new unearthed footage, photos and documents will appear in the film along with interviews with Salazar’s family, friends, colleagues as well as the deputy who threw the fatal tear gas missile, Tom Wilson.  So the story goes, there had been allegedly a tip that an armed man entered the bar (hence blindly throwing tear gas while folks were in there?).   For the first time we might get answers and insight surrounding the mysterious and suspicious circumstances of this leading Latino voice.  As quoted on KPCC, Phillip Rodriguez says, “I think this is one of the most important stories that has remained on the margins and that has been characterized as a regional or an ethnic story and it’s a fantastic American story”.

wildness14.  THE WILDNESS by Wu Tsang produced by Kathy Rivkin

Although this premiered at a few noteworthy film festivals in 2012, including Austin’s SXSW, Outfest in Los Angeles and MOMA in NYC last December, I’m thrilled to know there is still a long life ahead towards sharing this beautiful experience with the public so it definitely deserves to be on the Watch Out For list.  A dazzling requiem to the 7th & Alvarado corner bar joint, Silver Platter, specifically the transformation and haven as a Latin/LGBT/immigrant community spurred on by the introduction of performance parties known as Wildness, produced by a fiercely talented collective including Wu Tsang, the director of the film.  The intersection of stories and people borne out of that multi cultural, trans and cross-generational magic potion is fascinating and poignant to behold in this cinematic and audiovisual piece.  The cinematography captures the wonderful and tragic beauty, and by personifying the bar as a majestic hostess welcoming all wayward transients, the film pulses with heart.  Currently looking for distribution opportunities (repped by Cinetic).  Check out the trailer below and go to the Facebook for more info.

5.  WHO IS DAYANI CRYSTAL? by Marc Silver, produced by Canana and Pulse

I previously highlighted this unique docu-drama about the discovery of a migrant found dead in the border desert and the unfolding mystery of his identity with the parallel of a retracing of his journey, as part of my WTF is Latino at Sundance post.  The film will open the World Cinema Documentary Competition at the 2013 Sundance Film Festival this Thursday and I will be onsite to cover the audience’s reaction (Don’t forget to follow me on twitter for my sporadic SFF coverage).  Not only is it a feat of ingenuity in the way the narrative is structured, it’s an extremely urgent topic deserving a larger audience to provoke more humanity and thought into the pressing immigration reform debate.  I guarantee this one will travel to many festivals in 2012 and get theatrical distribution, aided in no small part by its compassionate and driven producer and narrator, Gael Garcia Bernal.  Last year, Searching for Sugarman screened in the same Day One screening slot, was subsequently snapped up by Sony Pictures and as of last week officially nominated for an Academy Award.  Hmmmm.   Get updates by following their twitter @DayaniCristal

Film Contact:  < lucas@pulsefilms.co.uk>