NALIP 2013 PROMISES DISCOVERY AND DEBATE

NALIP posterThe National Association of Latino Independent Producers (NALIP) is ramping up for its 14th Annual Conference this weekend and to my great gusto, the discourse promises to be more specific, relevant and fresh than last year on how to empower Latino independent storytellers. Judging by the practical and forward-thinking panel discussions, NALIP’s Official Selection YouTube channel showcasing a curated selection of current film trailers, and the hip, savvy talent invited to represent, NALIP is setting the tone for discovery and healthy debate.  Chief among the themes will be a contextualized creative response to the much-propagated Latino trillion dollar purchasing power statistic, and how to strategically seize territorial claim to the wild wild west expansion of online distribution platforms.

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Bebeto Matthews/AP

Among the established and rising American Latino actors and filmmakers on tap are Richard Montoya, Cristina Ibarra, Aurora Guerrero, Gina Rodriguez, Danny Trejo, Jeremy Ray Valdez, and Jesse Garcia.  The keynote speech on Friday will be given by none other than Richard Peña, one of the most influential film curators in the world who headed the prestigious Film Society of Lincoln Center for twenty-five years.  It will be an insightful and thoughtful conversation moderated by the sensitive, masterly formal documentarian and MacArthur Genius Grant fellow, Natalia Almada.  As this year’s NALIP Conference Co-Chair, Almada helped inform the direction of the conference and scored Peña’s participation.  When talking about how each year’s conference organically takes shape with the feedback of board members, staff and hosting committee, Beni Matias, Acting Executive Director of NALIP, referenced Natalia’s concern of prominently featuring the voice of the independent filmmaker over the commercial as a guiding pursuit.

Natalia’s involvement with NALIP goes back to 2003 when she became the recipient of the Estela Award, given in recognition to an emerging filmmaker who has ‘arrived’. Her revelatory documentaries include El Velador, El General and Al Otro Lado – all which have been critically acclaimed worldwide and have been featured in museums and screened at film festivals including Sundance and Director’s Fortnight at the Cannes Film Festival. I asked her to share a few words about NALIP’s import and she replied over email, “I think that more than anything else the conference is a place where we can really exchange ideas, address shared concerns in our community and collectively fuel to keep going”.

Natalia is part of the sub-cine filmmaking crew who came of age through NALIP like Cristina Ibarra, Alex Rivera and Bernardo Ruiz. In fourteen years the organization has managed to be one of the few consistent Latino forums which has nurtured a family of artists/active organizers.  Along with Beni Mathias, Maria Agui Carter who is a filmmaker and the Chair of the Board of Directors, has been actively with NALIP since the beginning.  Other members who have continued to be involved with the organization since the beginning include Louis Perego Moreno who use to spearhead chapter leadership meetings, Jimmy Mendiola filmmaker and Director of CineFestival in San Antonio, Frank Gonzalez from Disney/ABC, Kim Meyers and Terri Lopez at WGA, Alex Nogales, to name just a few. NALIP has also enjoyed a sustained relationship with Time Warner and HBO who have taken turns at being the presenting partners of the conference since 2000.

Part of the reason I’m so eager to engage with and synthesize this year’s theme is this following text written by Maria Agui Carter to describe the Opening Plenary:

“Forbes magazine has called the Latino Market the “New Media Jackpot.” What is at stake? Why is every network and cable outlet now chasing the Latino market and how are Latino voices participating in this explosion not just as consumers but as creators?

There it is:  “But as creators”.  Amid all the hoopla over the rising Latino market data that makes corporate brands salivate over how to exploit us as consumers, I have yet to hear any of us fashion a reckoning of a counter creative force.  We should be imagining how to harness, demand and unleash our creative power with that kind of purchasing power.  Instead, the data is being used to make us a target of a non-stop branding attack in which the depletion of our capital power and identity is at stake.

Aimed to provide a more significant showcase for Latino filmmakers, NALIP is spotlighting recent films on their NALIP YouTube channel.  They’ve done away with the NALIPsters On View programming where members could openly screen their work during the conference.  Those screening rooms tended to be lightly attended since there was little visibility and competition from the panel programming. Instead, this year NALIP will be uploading trailers of current and upcoming films starting Thursday, June 6.  The plan is to build buzz and promote the curated selection of 15 documentaries, narrative features and shorts.

W&P

Without a doubt, the most anticipated happening of this year’s conference will be the NALIP and Sundance Institute screening of Richard Montoya’s debut feature film, Water & Power at the AMC CityWalk.  The impact and influence of this Chicano icon will be evident by the droves of fans, familia and homies, a wide range of community activists, artists and politicians who will be in attendance – La raza who reflect the young and old blood of the characters he writes.  I listed W&P as number one in my top five movies to watch out for in 2013 so I’m thrilled to see it screen this way.  Richard Peña will moderate a Q&A with Montoya after the screening.  I couldn’t think of a better filmmaker and moderator pairing.

On Saturday at the Awards Gala, Machete Kills star Danny Trejo, the menacing but actually sweet hood actor will be presented with a Lifetime Achievement Award.  Aurora Guerrero, filmmaker of Mosquita y Mari will be honored with the Estela Award that comes with a $7500 grant from McDonalds.   And in what will surely be an emotionally inspiring moment, the first ever La Lupe Award will be bestowed to Gina Rodriguez.  Her effervescence completely evokes the spitfire tenacity of the late great Lupe Ontiveros.  I couldn’t think of a more perfect homage and passing of the torch.

While I found last year’s panel topics all over the place, this year it feels more targeted and practical.  Panels like Beyond The Latino Market: Getting Your Film Out To A Wider Audience with Gabriel Reyes, Writing on American Latino films moderated by Carlos Gutierrez of Cinema Tropical, the leading cross platform company promoting Latin and Latino Cinema (and yours truly will be participating!), Whatever It Takes: DIY Technology and the Democratization of Content Creation, Major writing programs and initiatives at networks and studios for writers.

On Sunday the Closing Plenary will be Latinos and Media Stereotypes in which Natalia Almada, Richard Montoya, Maria Agui Carter, Yancey Arias will participate and moderated by Mandalit del Barco of NPR.  These are all highly experienced, opinionated individuals with distinct tastes and critical contribution to content so I expect this to be one of the more livelier talks.

Overall, this year’s NALIP conference is about to go off!

NALIP 2013 Spotlight on the Trillion Dollar Latino Market will take place June 7-9 at the Universal Sheraton Hotel.

For a full list of speakers and panels here available at http://conference2013.nalip.org/conference/keynotes-speakers/

To find out more about NALIP click here

Lessons from La Lupe

Since Sunday night’s Oscar telecast the interwebs have exploded with fury about the omission of Lupe Ontiveros in the Academy’s In Memoriam segment. I didn’t think to add my 2 cents until right now because frankly I wasn’t surprised at all. But now I got something I think worth sharing. I was combing through my computer for some video and I ran into this clip I took of the late great Lupe at last year’s NALIP where she delivered a moving speech in her irresistible, witty, loving spicy way to bestow the Lifetime Achievement Award to Rita Moreno. You know what I get out of this? It’s our responsibility and ours alone to value and recognize our people. Are we really so appalled and shocked that the Academy denied her membership? What good is it to ask the Academy to explain and question their commitment to Latinos? I suppose it could be looked as a tongue in cheek PR move because clearly that is not on their list of To Do’s, let alone their sensibility. What really gets me is that it seems like we are seeking validation from an elite society of homogenized, old white males, half of them retirees. I believe the significance of the Academy Award is more an antiquated status symbol, a vestige of show business like the stars in my neighborhood’s Hollywood Walk of Fame, than a recognition of achievement.

If this incident serves to fuel and spill our community’s amor and tribute to La Dona Lupe’s legacy, that is indeed a positive. But hear her words in this clip. How she shares her sincere admiration, love and respect for Rita Moreno. It makes me think, its more beautiful, powerful and honest when we ourselves elevate and commend our mentors, peers and younger generation. Another key observation in this clip;  Notice Lupe calling out Ms. Moreno by way of inviting her to be part of NALIP, essentially pointing out that this highest Entertainment Awarded Puerto Rican woman, is not part of the National Association of Latino Producers, a grassroots organization which struggles but continues to support a young crop of filmmakers with labs, workshops and development opportunities. “Show up once a year”, Lupe says. ” We need figures like you.”

Goes to show that there are members of the Academy who are brown. I take more issue with the Hollywood Latinos who having personally faced and overcome barriers and stereotypes, yet once on the inside, don’t take the obligation or responsibility seriously as self identified Latinos, to keep the gates open.

Ojos! 5 Hot American Latino films to discover in 2013

Peep this and pay mind folks, especially Festival Programmers and Distributors.  Here’s my list of the most exciting American Latino independent fiction films coming through the pipeline ready to break out and make noise in 2013.

All are first features by wildly original voices who are remixing potent multi-cultural heritage and inventing their own unique brand of genre.   So much talent!  Makes this Chicanita proud.

Let’s start with numero uno:

1.  WATER & POWER – from Chicano wordsmith warrior and Culture Clash iconoclast, Richard J. Montoya, produced by Mark Roberts. This is the screen adaptation of Montoya’s 2006 play originally performed at the Mark Taper Forum.  Rife with the City of Angels’ legends, haunts and lore, the Chicano noir tale (how cool is that?) takes place over the course of one fateful night.  An intense story unravels centered on twin brothers nicknamed “Water” played by Enrique Murciano and “Power” played by Nicolas Gonzalez who were born and raised on the East Side streets playground – one grows up to be a senator and the other a high ranking cop.  The amazingly gifted musical artist and composer Gingger Shankar (Circumstance, Charlie Wilson’s War) has contributed music to the film.   The project participated in the 2007 Sundance Institute screenwriters & directors lab.  A madly prolific playwright (a regular Berkeley and Yale Repertory Theatre collaborator), I got a chance to see Montoya’s uproarious and thought provoking American history redux play, American Night: The Ballad of Juan Jose last fall (read the LA Weekly feature review here).  An uncompromising artist with a thundering voice all over the pop culture pulse and map, Montoya’s first feature film tops my list of films to watch out for in 2013.  Can. Not. Wait.

Like the Facebook page to stay on top of future premiere announcements and here’s a pic on Mark Roberts website

Film contact: <mark@robertsdavid.com>

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Hector Atreyu Ruiz as Saul Sanchez – stuck between a rock and hard place

2.  PARDON – written and directed by R.F. Rodriguez and produced by his production company BadMansSon.  A story that deals with a cholo ex-con who returns to his barrio ready to go on the straight and narrow but soon finds himself pulled by his old gang familia may sound familiar, but never has it been as emotionally excavated and depicted with such sensitivity and complexity.  Hector Atreyu Ruiz is Saul Sanchez whose driving motivation is the chance to reunite with his estranged daughter.  Guided by a sympathetic parole officer, played by Tracey Heggins (from the 2008 indie African-American gem Medicine for Melancholy), Saul tackles catch-22 circumstances towards his mission and confronts a growing uneasiness and threat from his vatos who continue to test if he’s still down.  At its core the film is an exploration about  fatherhood and coming home, and speaks to the social phenomenon of absentee fathers as the result of incarceration, an issue predominantly afflicting Latino families and communities.

PARDON ScreenGrab 3 Set in Highland Park, Rodriguez, a USC film school grad, shot the feature before graduating, having fleshed the story further out of the short film he made of the same name.  His project mentor, Patricia Cardoso (Real Women Have Curves) encouraged him to do more with it and this is the amazing result.   With earnest and raw performances, the moving and powerfully directed film marks this a sign of a true filmmaker talent discovery.

Website, Twitter

Film contact <contact@badmansson.com>

rbe_13. RECOMMENDED BY ENRIQUE written and directed by Daniel Garcia and Rania Attieh and produced by their NY based company En Passant Films.   Shot in border town Del Rio, Texas (the U.S. side of the Rio Grande) with an offbeat hipster cast of  young non-professionals plucked locally, the quirky, mystical tale is about an aspiring actress and an old cowboy who each arrive into town with respective plans and expectations, only to end up waiting for something to happen.  Forced to wait out their time,  they’ve nothing to do but explore the bewitching town and its people.  Lino Varela plays the Cowboy and Sarah Swinwood, a Canadian newcomer actress nails the airhead wannabe star.

This is the second feature film from Texas native Daniel Garcia and Lebanese born Rania.  Their first film, OK, ENOUGH, GOODBYE screened at San Francisco International Film Festival among other world wide festivals, and the duo were included in 2011’s Filmmaker Magazine’s 25 New Faces of Independent Film.  Undertones of a Twilight Zone type of dimension and the spellbinding pull of the dusty town are perfectly captured – as anyone who’s been in these strange little Texas towns can attest.  Unexpected and unpredictable, this definitely gets my recommendation.

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Luz!  played by Iliana Carter Ramirez

 

 

 

 

4.  VINCENT & LUZY (FKA On the Run) written and directed by Alberto Barboza and produced by Cinético Productions. A charming, hip and modern fairy tale love story between a soulful graffiti artist,Vincent, played by Miguel Angel Caballero, and sexy tattoo artist, Luzy played by Iliana Carter Ramirez.  The film captures and romanticizes the happening, multi-culti rockabilly/emo scene and counter culture of Boyle Heights and features lots of home grown talent and spots like Self Help Graphics, the community visual arts mission center.  The posters created by Vincent in the film are designed by rising street artist, El Mac (Miles MacGregor).  You’ll recognize some of his murals around LA like this one on Hollywood and Wilton, one of my favorites.  He just did the album cover for No Doubt.

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An eclectic soundtrack featuring local Vallenato band, Very Be CarefulHermanos Herrera, Irene DiazDoghouse Lords and more.  The cast also includes ol’ G’, Sal Lopez (American Me) and Lupe Ontiveros in what may be her last film role before she passed away last year (she also has a small role in Water & Power).

Fresh, exuberant and inhabiting a distinct, heightened magical street reality, Vincent & Luzy might be the first film to truly reflect this young, vibrant artist subculture, making this one a hot flick to track.

mailFilm contact: info@CineticoProductions.com

Website

 

 

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5. BLAZE YOU OUT – written and directed by Mateo Frazier and Diego Joaquin Lopez and produced by Alicia J. Keyes.  Set in the rarely seen mystic world of New Mexico, this young female driven thriller is uniquely atmospheric.  Starring the rising young talent, Veronica Diaz Carranza (Mamitas) along with a terrific cast including Elizabeth Peña, Q’orianka Kilcher, Raoul Trujillo and Mark Adair Rios, all who ignite the screen. Diaz stars as Lupe, a DJ who is forced to venture into her town’s heroin trade underworld in order to save her younger sister Alicia’s life.  To do so she must confront mysterious occult figures and harness the power within her to connect with the divine that surrounds her.

Blaze You Out Film
Ms. DJ Diaz

I was thrilled to hear that Lionsgate picked up the film at AFM a couple months ago.  Lionsgate/Grindstone will release the film July 2013.   6 Sales is handling rights to rest of world.  Intense and wicked and unlike anything else this is a sizzling genre film to look forward to.  In the meantime, check out the press kit, pics and more on their site.

mailWebsite, Facebook

 

 

 

MUST MENTION

Screen Shot 2013-01-05 at 7.21.14 PMCHAVEZ –  written and directed by Diego Luna and produced by Canana Films, Mr. Mudd and backed by Participant Media.  Given it’s a biography of an iconic Chicano figure, labor rights activist Cesar Chavez, and Luna is an international name talent, this project has already attracted major press coverage ever since it was first announced so it doesn’t really fit my ‘Discovery’ profile.  That said, it is a highly anticipated and important film. I really hope the film opens wide and mainstream – although Participant will likely need a partner to make this happen in the U.S.  Michael Peña, the Puerto Rican actor catapulting towards leading man roles and already a regular in big Hollywood films (he’s in Gangster Squad opening this weekend), embodies a young Chavez.  It wasn’t quite ready for Sundance so it’s possible the film will bow at a high profile festival like Cannes or Toronto.  Although I’m hoping Stephanie Allain, director of Film Independent’s LA Film Festival will go hard after the film to wrangle what would be a fitting LA gala premiere.  Diego Luna proved his salt as the filmmaker of Abel, an eloquent and heart-stirring portrait of a little delusional boy who pretends to be the man of the house since his father left. Peña recently shared his approach was to be truthful to Cesar the MAN not necessarily the legend or myth generated by his colossal perseverance and labor rights feats.  All eyes will be on the representation of such a querido and influential figure.   My bet?  All in.  I trust the filmmakers and cast will deliver a resonant and accomplished cinematic film worthy of the inspiring civil rights story, and more importantly re-introduce Chavez to mobilize our millennial generation.

Do you have a hot independent American Latino film recommendation I should track?  Holler at your girl.  Email me at <chicanafromchicago@gmail.com>

Next up,  Non-Fiction American Latino films to track in 2013