AMC Turns on Edward James Olmos’ ‘Water & Power’

19 Mar Featured Image -- 4570

Originally posted on Variety:

Richard Montoya’s “Water & Power,” backed by Edward James Olmos, has set a May 2 launch through the AMC chain.

Olmos came on board last year after seeing the film at the L.A. Latino Festival and approached AMC. The film will open in Los Angeles and several other cities.

“‘Water & Power’ embodies filmmaking quality and artistic value that engages me,” Olmos said.

“Water & Power” bowed on stage in Los Angeles in 2006. Montoya wrote, directed and produced the drama starring Enrique Murciano, Nicholas Gonzalez and Clancy Brown about a California senator who must help his crooked cop brother out of a crime that has backfired on L.A.’s Eastside.

Murciano plays the politician, nicknamed Water, while Gonzalez is the cop, Power.

“For a truly indie film like ours, it’s a lifeline to getting ‘Water and Power’ to the eastside and beyond,” Montoya said. “This is an organic film that…

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#SXSW2014 Storytelling for Change: Diego Luna on the making of Cesar Chavez

10 Mar

Tonight at 6pm at the Paramount is the North America premiere of Cesar Chavez a film directed by Ambulante co-founder Diego Luna.

Hear his candid thoughts about making the movie with the Chavez family at this morning’s Participant Media panel

#WTF is #Latino at SXSW Film Festival?

11 Feb SXSW-2014

Perhaps the highest profile U.S. Latino film at SXSW this year is the dramatic feature about labor rights organizer Cesar Chavez.  Another film on Chavez, the documentary Cesar’s Last Fast, premiered at Sundance last month.  I’m thrilled to see two of the biggest U.S. Festivals supporting this story getting out there.   I’m also happy to see that the version directed by Diego Luna, starring Michael Peña as Cesar, is not the only US Latino offering at SXSW, the edgiest mainstream film festival in the U.S. of A.  I count 5 U.S. Latino writer/directors on this roster among many other artists and subjects.

chaveztweetBefore we dive in, my caveats:  First, this is at best, a prelim list.  I’m sure I will discover more US Latino talent once I get there and watch more films and meet the artists behind them.  

2.  My goal is to single out the U.S. Latino content creators, that is writer/directors because they are ridiculously under-represented.

3.  By U.S. Latino I mean people born or living in the U.S. who have roots from Mexico, Central & South America and the Caribbean.  

Back to this piece; I’m including actors, producers and cinematographers because they are critical to the making of the film, and subjects of documentaries as well as themes and perceptions of Latino culture because you don’t have to have Latino blood to “get it”.  That’s a sensibility you pickup because of where you live, or because of a best friend/neighbor, or a connection you feel when you experience a an artistic expression outside what your traditional ethnic culture dictates. 

sashaSorry for shutting out Spain and Brazil on this list.  They will be fine.  That said I’m looking forward to Open Windows by Spanish loco, Nacho Vigalondo where Elijah Wood is suppose to go on a date with Sasha Grey.  And there is the Brazilian film,  Wolf at the Door, feature length debut from Fernando Coimbra.

One Night in Old Mexico by Emilio Aragon bears mention. It is a Spanish (that means Spain people) production shot in Brownsville, Texas. Joaquin Cosio (Cochiloco!) is the only Mexican actor I notice in the credits.   Robert Duvall acts and produces in this old-timey South of the Border road trip. I will view with an open mind and hope that Tijuana brothel strippers and corrupt Narco cowboys are not just background to an Anglo, Father and (grand) Son story.  I do like the Julieta Venegas song for the film, “Aqui Sigo”.

Thanks to my SXSW peeps for their descriptions and help.  If I have anything to add, I do so in Italics.  If YOU have anything to add please feel free to COMMENT!

HEADLINERS

Chef-photo-Jon-FavreauChef
Director/Screenwriter: Jon Favreau
Chef is a rich and vibrant comedy – the story of Carl Casper (Favreau), who loses his chef job and cooks up a food truck business in hopes of reestablishing his artistic promise. At the same time, he tries to reconnect with his estranged family.
Cast: Jon Favreau, Sofia Vergara, Scarlett Johansson, John Leguizamo, Bobby Cannavale, Dustin Hoffman, Oliver Platt, Robert Downey, Jr., Emjay Anthony (World Premiere)

NARRATIVE SPOTLIGHT

malkovichCESAR CHAVEZ
Director: Diego Luna
Screenwriter: Keir Pearson, Timothy J. Sexton
Chavez chronicles the birth of a modern American movement led by famed civil rights leader and labor organizer, Cesar Chavez. 
Cast: Rosario Dawson, John Malkovich, Michael Pena, America Ferrera, Gabriel Mann (North American Premiere)

Finally, a U.S. Latino story gets the orchestral score, epic, Hollywood blockbuster-gloss treatment it deserves.  And tomorrow evening, Cesar Chavez is having its World Premiere as a fancy Berlinale Special Gala.  Film is being rolled out in the U.S. starting on Cesar Chavez day, March 29.  John Malkovich, one of the producers of the film, also stars as Bogdanovitch, the grape crop owner and son of immigrants who wages battle against Chavez’s efforts to mobilize.  The filmmakers made the role a very smartly drawn character with dimension and Malkovich plays it with unexpected complexity and compassion.  Meanwhile America and Rosario elevate the contributions of Chavez’s partners, Helen, his wife, and Dolores Huerta, his work ally, respectively,  from background to the fore with their mighty performances.  An inspiring account of the sacrifices and failures necessary for triumph and success.  

Two Step


Director/Screenwriter: Alex R. Johnson
Two Step is a fast-paced Texas thriller in which the lives of James, a directionless college dropout, and Webb, a career criminal with his back against the wall, violently collide.
Cast: Beth Broderick, James Landry Hébert, Skyy Moore, Jason Douglas, Ashley Rae Spillers (World Premiere)

Austin-based Johnson, whose mom is from Ecuador,  is part of SXSW for the first time with his anticipated feature directorial debut, after directing several shorts, videos and producing documentaries.  Indiewirepreviously posted background on Two Step’s music (Andrew Kenny of All American Analog set did the score) and offbeat suspense elements along with clips of his work.  Check it. 

DOCUMENTARY COMPETITION

 The Immortalists
Directors: Jason Sussberg, David Alvarado
Two eccentric scientists struggle to create eternal youth in a world they call “blind to the tragedy of old age.” As they battle their own aging and suffer the losses of loved ones, their scientific journeys ultimately become personal. (World Premiere)

David was born in Dallas to a Mexican father, he went to grad school at Stanford and now lives in Brooklyn where he works on films exploring scientific breakthroughs and other fascinating biological radical-ness

Impossible Light
Director: Jeremy Ambers

impossibleImpossible Light reveals the drama and the daring of artist Leo Villareal and a small team of visionaries who battle seemingly impossible challenges to turn a dream of creating the world’s largest LED light sculpture into a glimmering reality. (World Premiere)

 Villareal grew up in Ciudad Juárez, Mexico, and El Paso. Per this Times article, “He was the introverted son of a wealthy Mexican-American family, more interested in programming his Apple II than the provincial pursuits of football, rodeo and tequila”.

Mateo
Director: Aaron I. Naar
Screen Shot 2014-02-10 at 4.08.28 PMMateo follows America’s most notorious white mariachi singer on his misadventures in Cuba.
(World Premiere)

Really interesting story, read the 2009 LA Times piece here and the Time Magazine piece here about this ginger haired white man who found his calling singing bolero music after getting out of Maximum Security Prison.

Print the Legendprintlegend

Directors: Luis Lopez, Clay Tweel

The 3D Printing revolution has begun. Who will make it? (World Premiere)

Lopez (from Tijuana) and Tweel were associate producers on 2007′s King of Kong and worked together on 201o’s LA Film Fest Best Documentary, Make Believe.

DOCUMENTARY SPOTLIGHT

chapoThe Legend Of Shorty (UK)
Directors: Angus MacQueen, Guillermo Galdos
The Legend of Shorty is the story of a man and a myth. (World Premiere)

The sick but undeniably wild appeal of this ‘untouchable’ narco kingpin, Joaquin “El Chapo” Guzman puts this at the top of my Must-See list.  Not to mention the folks involved; Guillermo Galdos is a respected documentary reporter from Peru.  Submarine is co-repping the film for North America with Protagonist. Produced by Simon Chinn (Searching For Sugar Man, Man On Wire) and Andrew Mackenzie-Betty (Thriller In Manila).

VISIONS

Cumbres (Heights) (Mexico)

Director/Screenwriter: Gabriel Nuncio
Due a tragedy, two sisters abruptly escape from their hometown in Northern Mexico. Their journey creates a bittersweet relationship marked by pain, guilt and love.
Cast: Aglae Lingow, Ivanna Michel, Abdul Marcos, Sergio Quiñones, Ganzo Cepeda (U.S. Premiere)

Really happy about this film and impressed how Nuncio swooshes forward both the on-the-run stakes never leaving behind the actual sister relationship story behind. I’m looking forward to his next film, Los Herederos which Michel Franco (Despues de Lucia is producing).

The Dance of Reality (Chile / France)


Director/Screenwriter: Alejandro Jodorowsky
The Dance of Reality is a 2013 independent autobiographical film written, produced and directed by Alejandro Jodorowosky. 
Cast: Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Cristobal Jodorowsky, Bastián Bodenhöfer, Alejandro Jodorowsky (U.S. Premiere)

Almost a year after its premiere in Cannes, the film finally gets its stateside premiere.  It’s like surfing on the neural synapses of an artist fully in tune with his twilight years intertwining nostalgia and fantasy.

EPISODIC – new section

From Dusk Till Dawn: The Series

Director/Screenwriter: Robert Rodriguez
The Gecko Brothers are back. Based on the thrill-ride film, From Dusk Till Dawn: The Series is a supernatural crime saga from Creator, Director and EP Robert Rodriguez premiering March 11 on El Rey Network.
Cast: D.J. Cotrona, Zane Holtz, Eiza González, Jesse Garcia, Lane Garrison, and Wilmer Valderrama, and Don Johnson (World Premiere) 

Halt and Catch Fire
Director: Juan Jose Campanella, Screenwriters: Christopher Cantwell
Halt and Catch Firecaptures the rise of the PC era in the early 1980s, during which an unlikely trio – a visionary, an engineer and a prodigy – take personal and professional risks in the race to build a computer that will change the world as they know it. 
Cast: Lee Pace, Scoot McNairy, Mackenzie Rio Davis, Kerry Bishe, Toby Huss, David Wilson Barnes (World Premiere)

Argentine Campanella has directed several episodes of House, Law & Order, 30 Rock and my ol fave, Strangers With Candy. Before that he got international acclaim with his first film, 2009′s The Secret in Her Eyes.

24 BEATS PER SECOND

Lupita-1 KopieQue Caramba es la Vida (Germany)
Director: Doris Dorrie
In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between – seen from a bird’s-eye perspective. (World Premiere)

Rubber Soul

Director/Screenwriter: Jon Lefkovitz
Rubber Soul reconstructs portions of two historical interviews with John Lennon and Yoko Ono based on available transcripts and audio, juxtaposing them in order to explore the dynamic nature of Lennon’s identity over time. Cast: Joseph Bearor, Denice Lee, Dillon Porter, Andrew Perez (World Premiere)

perezAndrew is first generation Colombian American.  His next feature which he wrote and acts in is being edited by Rubber Soul director, Jon Lefkovitz, takes place in Colombia, called Bastards & Diablos.  He spent six years in my Chi-city, performed at the renowned Steppenwolf Theater with a production of Sonia Flew with Sandra Delgado and Sandra Marquez. 

 

SXGLOBAL

desertThe Desert (Argentina)

Director: Christoph Behl


The failed story of a love triangle in a post-apocalyptic world.
Cast: Victoria Almeida, William Prociuk, Lautaro Delgado (North American Premiere)

German filmmaker who works in Spanish language films.  The Desert has been validated at all the top international horror festivals, Sitges, London Fright Fest, Fantasy Festival among others.

MIDNIGHT

Exists
Director: Eduardo Sánchez, Screenwriter: Jamie Nash
Five friends on a camping weekend in the remote woods of East Texas struggle to survive against a legendary beast that is stronger, smarter, and more terrifying than they would have ever believed exists. Cast: Chris Osborn, Dora Madison Burge, Roger Edwards, Denise Williamson, Samuel Davis (World Premiere)

Cuban born Sanchez shot to cult indie horror kingpin over Blair Witch Project.  His short in the V/H/S 2 short is so bomb.  I can’t wait to see this take on Bigfoot.

latephasesLate Phases
Director: Adrián García Bogliano Screenwriter: Eric Stolze
When deadly attacks from the forests beset a secluded retirement community, it is up to a grizzled veteran to figure what the residents are hiding. Cast: Nick Damici, Ethan Embry, Erin Cummings, Tom Noonan, Lance Guest (World Premiere)

Adrián was born in Madrid, grew up in Argentina and now lives and works in Mexico City.  This is his first film in English.  He has over 20 credits, about half feature length and half shorts, including most recently the ABCs of Death (B is for Bigfoot, incidentally), and Here Comes The Devil.  I first experienced his suspenseful horror com romp with his 2004 Rooms for Tourists.

Home
Director/Screenwriter: Nicholas McCarthy
When a realtor is asked to sell a vacant home, she and her sister cross paths with its previous tenant: a teenage girl who sold her soul to the devil. Cast: Naya Rivera, Catalina Sandino Moreno, Ashley Rickards, Wyatt Russell, Ava Acres (World Premiere)

Puerto Rican Naya Rivera (Glee) who recently was quoted in a Cosmo Latina interview it sucks that she has no one to speak Spanish to , and Catalina Sandino Moreno (Maria Full of Grace and Magic Magic) get top billing in this  midnight movie from The Pact director McCarthy

ANIMATED SHORTS

Yearbook

Director/Writer:  Bernardo Britto

A man is hired to compile the definitive history of human existence before the planet blows up.

BB is Brasilero from Rio, animated film is produced by the Cuban American Borscht Collective based in Miami.  Won Best Animated Film at Sundance.  I’m so moved by this.  It is so damn profound.

MIDNIGHT SHORTS

Screen Shot 2014-02-11 at 6.38.37 PMWawd Ahp

Directors: Steve Girard, Josh Chertoff
A man raps in the mirror, cuts his head off, and has sex with it. There is also a cartoon.

No seriously, that is the description and even that is not preparation for the deranged awesome-ness that is Wawd Ahp.  The cinematographer Alfredo Alcantara grew up in Mexico City.  Check out his work.

Violent Florence (Australia)
Director: Jaime Snyder
Florence rescues a stray cat from a gang of teenagers. After taking the feline to an isolated building, her true intentions emerge.

Cinematographer Benjamin Hidalgo De La Barrera is from Mexico City, another D.F. DP

TEXAS HIGH SCHOOL SHORTS - The future is here!

Cliché
Directors: Joseph Alvarez, Eric Zelaya
Four teenagers on a mission to create the greatest student short film.

Just Skate
Directors: Alicia Tanguma, Brianna Garza
The boy loves to skate.

purplePurple
Directors: Ryker Allen, Isabella Cabello
A Super-8 esque shot, coming of age music video for the song “Purple” performed by San Antonio based band Islands and Tigers.

Check out the San Antonio multi-media artist Ryker’s impressive work on his website

Seawolf
Directors: Caila Pickett, Max Montoya
Seawolf follows a young girl as she travels to different worlds through magical boxes.

Now that I’ve had a chance to scour through the lineup, I can tell that Latino or not, there’s a whole mixed bag of unadulterated, head-blowing, pants-offing, mind-tripping sing and dancing in store to discover.   Get yourself out there for the film, stay for music if you dare.  SXSW

Meet Tin Dirdamal – Director of Death in Arizona

8 Feb Screen Shot 2014-02-08 at 10.10.53 AM

opening2014Last weekend I was in Mexico City for the official launch of the 2014 Ambulante documentary tour.  The roving film festival has an insanely impressive 35 venues through out most of the burroughs in El Districto Federal.   It wanders around in Mexico City one more week until the 13th when the tour hits the road to its next stop in Guerrero.   The tour will conclude May 4 in the magical land of Oaxaca and by then it will have traveled to 12 different states throughout Mexico presenting its diverse, international lineup of the latest documentary cinema.

Ambulante has 12 different programming sections including the popular music section, Sonidero, Dictator’s cut, devoted to human rights & freedom of speech,  and Injerto, the art & cinema experimental section.  Ambulante’s viscus however is Pulsos, where you’ll find the most recent, most original voices of the robust Mexican non fiction narrative.  It is here that the world premiere of Death in Arizona, a futuristic documentary, as described by the director, Tin Dirdamal is being presented.

Screen Shot 2014-02-08 at 9.50.46 AM

Still6 copyI first met Tin at the Los Angeles Latino International Film Festival with his opera prima, DeNadie which won the Audience Award at the 2006 Sundance Film Festival.  He is by far one of the most curious, unpretentious, inspired minds I’ve ever met.  We took a jaunt up to Coyoacan plaza, an ancient mecca of artisan vendors and merchants, for coffee at my favorite El Jarocho, tamales, and found a relatively quiet garden to have a conversation.

DeathArizona1The story is quite personal, about a love lost and a self found, to say it broadly.  Without giving away too much, the love in the film is also the producer and co-director Christina Haglund.  I asked Tin about his creative process, his favorite Jodorowsky film, his experience at Sundance, and his philosophy on filmmaking and well, life.  Check out our conversation and then the trailer to his film.   He is truly a one-of-a-kind, thought-provoking, and perhaps the most brilliantly unassuming human being I’m happy to know.  Now you meet him.

Here is a trailer of the film – that for me resonates as a journey culminating towards a flickering light and illumination at the end of a tunnel of heartbreaking solitude.  The intimate, moody, futuristic and transcendent film, Death in Arizona.

REZETA – Mexican feature film wins Special Jury Award at Slamdance

29 Jan t6pvc3-nKR61n30hlX7OZ_aN7s8xVIFnpdMGb6-BqR0

REZETA written and directed by Mexican born but trans-nationally influenced Fernando Frias, was recognized with a Special Jury Award Prize at the 2014 Slamdance Film Festival which celebrated its 20th anniversary last week.  It was the U.S. premiere of the film after its world premiere at the Morelia International Film Festival in 2012.  The story is about an Albanian model named Rezeta (played by the naturally charming Rezeta Veliu) who flies in to Mexico City for a work stint and develops an unlikely relationship with a down to earth, blue collar guy who works construction on set and who doesn’t fall all over her like most men do.  It’s an unexpectedly genuine, credible and revealing take on the opposites attract friendship romance, and one enjoyably surprising in its sympathetic and dimensional portrayal of a jet set beautiful model, who in many ways, her world savvy independent experience and maturity becomes much more of a threat to the men in her life than her looks.  Here’s the trailer.  Read on for my post Park City interview with Fernando – a talented up and coming voice to watch out for.

1. How was your Slamdance experience?  What is something that people might not know about Slamdance?

Slamdance is fucking fantastic. It’s all about filmmaking at its purest form. Slamdance has a very unique stamp. They dare to program great work that defies convention and they help create communities around genuine filmmaking. They have kept loyal to their famous phrase: “For filmmakers by filmmakers” for 20 years now. There’s a lot going on during the festival and still all the staff are extremely friendly and have such great attitudes. People might not know that the festival has been around for that long and that they have discovered people like Christopher Nolan and Lena Dunham, among many other big names.

Screen Shot 2014-01-29 at 1.29.57 AM

Film Still of Rezeta

2. What’s the next script you are working on?
It’s a story about a very particular Mexican kid around Queens. I had one earlier draft that I wrote for a class at school but when I came back to it, I found that it went in a very different direction that what I originally had in mind. The good thing is that after realizing that, I wrote the story in prose as a short story in the voice of my character and I had the great luck to be selected  winner of the  Bengala-UANL award (Nuevo León University). It’s a first edition contest open to all writers, journalist and filmmakers from Mexico and the objective of such a great contest is to find good ideas for scripts and help them throughout their developing stage. After I found out that I won, I got so excited that I completed a new draft in 2 weeks. I am currently revising it in 2 different workshops.
20140120-Slamdance-DSC_01065. What kind of culture do you belong to?
I’d say I belong to the DIY culture but I don’t know how much will that do for an answer. I can tell you that I’m Mexican born and raised in DF with parents who came from opposites sides of town.  I grew up traveling to unknown places because my mother worked for more than 25 years in Airlines, so we had standby tickets and we would go to the airport not really knowing where we were going too. It was cool because we could only fly on low season so I missed school and I wouldn’t know where we were heading until the very last minute… I guess this made an impact on me because all my work ends taking place around cultural differences…
6. What was the most inspiring thing you did or saw in Park City?
I have to say that winning the Jury award  for best narrative film at Slamdance was a huge surprise and really exciting but I also had a blast snowboarding, something that is kind of new to me.
7. What other US Latino filmmaker have you recently discovered or follow?
I discovered Alejandro Fernandez from Chile. I really love his film To Kill A Man which played at Sundance and won a big award. At Slamdance I think I was the only Latino but I might be wrong. As for names, I have to say that this last year I saw two amazing movies from Chile and Brasil: Gloria by Sebastian Leilo and and Neighboring Sounds by Kleber Mendoça. 
1488043_10152194921059511_693439237_n
Fernando is pretty modest.  He’s a Fulbright scholar in NY at Columbia, and his experimental documentary, Calentamiento Local (which means “Local Warming) won the Digital Prize at the Mexico City International Contemporary Film Festival known as FICCO in 2009, the penultimate year of the once IT festival.  A highly lyrical, romantic capturing of the symbiotic, magnetic relationship of ethereal beaches and the sensual bodies who traipse and fall in love on them in  Mexico. You can see the full film here.  Fernando has also made some really cool artist portrait commercials for Converse.    
Check out more of Fernando’s work on his vimeo channel
Video

Ambulante California – unveiled at the 2014 Sundance Film Festival

20 Jan

Diego Luna and Gael Garcia Bernal, co-founders of the traveling documentary film festival, talk about the inception of Ambulante, the power of cinema, and the upcoming launch of Ambulante California. Coming soon September 21 – October 4

@AmbulanteCA

Curaçao International Film Festival Rotterdam – Looking for Caribbean Island films

22 Dec news_1855

Hola!

curacaocarib

A rich hot mix of African, European and Latin American influences make for a striking unique multi culture and perspective

I know it’s been a while since my last post.  Lots to report on, but I’m jumping on right now because I’m putting out an APB (WANTED) out on Caribbean island feature length films.  I’m so delighted and honored to be Programmer of the Yellow Robin competition at the  Curaçao International Film Festival, taking place April 2 – 6.  I was happy to learn I was recommended by the veteran Latin Film Programmer at the  Toronto International Film Festival, Diana Sanchez (thank you!).  I got the gig after speaking with Rutger Wolfson, director of IFFR and then while at the Morelia Film Festival, I met with Percy Pinedo who leads the program from Curacao.   I was impressed to hear the year round efforts and programming The Cinemas Willemstad has been doing thanks to the support of the Fundashon Bon Intenshon.  The aim of Rotterdam’s Caribbean baby sister is to develop the local audience and spark the filmmaking impulse, and create a meeting point for Caribbean and Latin American film producers.

As a huge fan of Rotterdam’s edgy, discovery programming, I’m so happy to be collaborating with their smart team’s  bold initiative to register the filmmaking voices and people of the Caribbean islands.   This is a region to watch. This year I was excited to watch 4 fiction feature length submissions from the Dominican Republic films for Sundance, each completely distinct from each other.  The Havana Film Festival which 35th edition ended last week, boasted a stronger than ever regional program , including the premieres of Land Without Evil by Juan Carlos Valdivia (from Bolivia), whose last film, Zona Sur played at the Sundance Film Festival in 2010, and Giraffes, a Cuban/Colombian/Panamanian film by Cuban Kiki Alvarez.

130407-Awards-DIG_2755

The audience at Curacao

There is also for instance, The Panama International Film Festival which has solid ties with the Toronto International Film Festival (Diana Sanchez is the Artistic Director) and is taking place from April 3 – 9.   Like Curaco IFFR, it will put on its 3rd edition in 2014.  I heard great things about Panama from Latin Film Market industry friends.   Since 2006 the Trinidad & Tobago Film Festival has been earning a name for itself, and it looks like it also has a robust little engine of year round programming to engage the community.   Surely these kind of co-organized visionary festivals are encouraging the slowly increasing trickle of feature length films I’m seeing in submissions.  That said, there is not much film input  from specifically the island region, which makes the viewing process exotic and exhilarating to see such underrepresented culture.  The shortage and inconsistent quality is a challenge towards assembling a worthy, well rounded competition if restricted to only Caribbean islands therefore the competition will also select films from Central & South America, countries near geographically and influence.  For me, there is something so metaphysical about being so naked and vulnerable out in the middle of the sea that shapes the perspectives of these stories.

I’m looking forward to spending my holidays visiting the islands through film.   If you have any recommendations even if they are just the titles without contacts, let me know.  Please share and pass along the link in case someone you know might have some.

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