@ScarfaceREDUX directed by YOU – make a 15 sec video clip for @BorschtCorp screening party IN MIAMI!

3 Dec

unnamedI been out of touch on here for a while but I had to stop to pop this post up because my crazy vatos in Miami are prepping their sick @BorschtCorp Festival (Dec. 17-21) and YOU CAN BE A PART OF IT by participating in this insanely rad crowdsourced project remaking the iconic film #Scarface.

How does it work?  Go HERE pick out a 15 second clip, then remake the scene however you want, with sockpuppets, animation, children, cats or good ol live action on your iPhone, GoPRo or whatever you got around. Send it to Borscht, they’ll upload to their social media people will vote and you’ll get a piece of cred when your clip ends up in the final re-imagining of Brian DePalma’s classic AND based on how many votes you clock, you just might win 2 tickets to party in Miami.  More info on the site: scarfaceredux.com. Read more about the balls to the wall festival here.  So whatever your doing this weekend PUSH IT TO THE LIMIT. Because its Due Monday December 8th at 11:59pm. I already picked out the clips I’m doing (ice cold Michelle Pfeiffer)!

Here we go! Kickstarting the Ambulante USA movement

17 Jun

I nodded off at 3am with Orange is The New Black finale in the background while compiling my old yahoo contacts and email lists from the various film festivals I’ve worked in the past 12 years.  Why?  To prepare a Master email blast to ask people to back Ambulante California on Kickstarter.  If I didn’t love this social cinema platform and believe it to be a noble and radical vehicle that stimulates the ecosystem of audiences and filmmakers I would probably think twice about emailing folks I haven’t talked to in a while.  But that’s not the case.  Here’s me a few hours ago all showered after two strong instant black coffees making a video to commemorate the launch.

And here is the campaign video and page.  Please click HERE to go to page and get involved and support this project!

Don’t be shy, tell me what you think.  I will try to update my blog with this crazy rollercoaster journey of the Chicana from Chicago heading up a traveling documentary film festival.

#AllOrNothing

#DoubleDown

 

 

 

That’s FANTASTICO! – Submit your genre projects to the 2014 Fantastic Market

5 May ff


El Mercado Fantastico
 is back.  The international co-production market for genre films is putting out a wide alert to find projects made by Latino filmmakers currently in development, pre-production or post.  Finalists will go to Austin during this year’s Fantastic Fest (September 18-25) and be hooked up with potential production partners, sales agents, and distributors.  The market is co-produced with CANANA and El Rey so you know the platform will attract heavyweight investors and partners.

Seize this unique opportunity to fast track your film, and who knows, your film could be distinguished in a future Fantastic Fest program with as many uncouth visual reference icons that fit your crazy film’s themes i.e. Fishhook Violence, Puppet Sex, Pedophilia, Decapitation, Lactation….  You have until May 31’st to submit.Screen Shot 2014-05-04 at 10.42.21 PM

Along with accepting classic genre staples like horror, action and fantasy, projects can run the genre gamut and include animation, westerns, dark comedies, sci-fi, basically anything other than your run of the mill drama.  In its second year, the market will select 12-14 projects and new this year, will select four films in post to screen as works in progress.

Machete Kills Fantastic FestSince 2005, Fantastic Fest has nailed its epic niche of being the ultimate festival for a ravenous movie geek audience who embraces the rigorously curated fantastic program. And the international film marketplace has taken note, snapping up rights to several film titles that have screened in the Fantastic Fest program. El Mercado Fantastico feels like a natural step for them to incubate their specialty and sustain their grip on all films fantastic.

Director of Programming Rodney Perkins, along with Festival Director Kristin Bell are and heavily scouting for submissions. They received around 100 submissions last year and Rodney told me that overall, the quality was very high.   Out of the 16 participating projects, a majority were by directors and producers who have had previous films in the festival.   Rodney says they are looking to mix it up with bringing new talent to the surface, but also choosing projects by filmmakers with proven track records in making good movies and the quality of their new projects.

Fantastic Fest Here Comes The Devil

The crew from Mexican film, Here Comes The Devil, winning Best everything in the Horror section in 2012

Rodney commented, “Some of the most interesting genre directors in the world are based out of countries like Mexico, Argentina, Spain, Brazil and Uruguay. Fantastic Fest has featured numerous films from these and other countries. A lot of these talented people don’t get recognized globally, particularly in the U.S. We want to do what we can to help them make films and expose their work to a broader international audience.”

Juan Of The Dead

Cuban Alejandro Brugues, dir. of  Juan of The Dead, whose project, The Wrong Place, won last year’s inaugural market.

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Like Rodney says, since its inception, Fantastic Fest has supported and premiered films from Spanish filmmakers like Nacho Vigalondo (Time Crimes, Open Windows), Eugenio Mira (Agnosia, Grand Piano),  Chileans like Ernesto Diaz Espinosa (Kiltro, Mandrill), Nicolas Lopez (Santos, Aftershock) and Mexicans Adrian Garcia Bogliano (Here Comes The Devil), and Jorge Michel Grau (Somos Lo Que Hay), among other filmmakers from all over South America and the Caribbean. 

A number of projects that were in pre-production when they participated in the inaugural market last September are already coming to fruition.  Notably Isaac Ezban’s feature debut El Incidente, produced by Andrea Quiroz (Here Comes the Devil), is completed and will screen at Ventana Sur’s Blood Window showcase at Cannes Marche du Film.  Edgar Nito’s project Tatewari is steadily advancing and recently announced a new associate producer. The team from Uruguayan project Small Town found the producing partners for their film, Dios Local from the market last year. Dios Local is almost complete and is represented for international sales by the French company Elle Driver.

Narco_006

Narco Cultura. Now on Netflix and iTunes

So what are you waiting for?  I know there has got to be more than 100 Latino made genre projects out there.  They aren’t just looking for international Latinos but U.S. native Latinos to represent. At least one of the filmmakers/producers should be some kind of Latino. Get your application together to submit asap.  I was on the documentary jury last year which awarded Best Documentary to Jodorowsky’s Dune and Best Director to Shaul Shwarz for Narco Cultura (Now on Netflix and iTunes) so I know firsthand this festival is a vital film festival.  Plus, there’s really nowhere else you’ll find such sanctioned festival shenanigans like Helicopter Hog Hunting, Filmmaker Shotgun outings, the Schlitz chuggin Award Ceremony rite, Nerd rap, Karaoke and Debates that are settled with a good ol boxing fight.

@FantasticFest

 

AMC Turns on Edward James Olmos’ ‘Water & Power’

19 Mar Featured Image -- 4570

Originally posted on Variety:

Richard Montoya’s “Water & Power,” backed by Edward James Olmos, has set a May 2 launch through the AMC chain.

Olmos came on board last year after seeing the film at the L.A. Latino Festival and approached AMC. The film will open in Los Angeles and several other cities.

“‘Water & Power’ embodies filmmaking quality and artistic value that engages me,” Olmos said.

“Water & Power” bowed on stage in Los Angeles in 2006. Montoya wrote, directed and produced the drama starring Enrique Murciano, Nicholas Gonzalez and Clancy Brown about a California senator who must help his crooked cop brother out of a crime that has backfired on L.A.’s Eastside.

Murciano plays the politician, nicknamed Water, while Gonzalez is the cop, Power.

“For a truly indie film like ours, it’s a lifeline to getting ‘Water and Power’ to the eastside and beyond,” Montoya said. “This is an organic film that…

View original 32 more words

Video

#SXSW2014 Storytelling for Change: Diego Luna on the making of Cesar Chavez

10 Mar

Tonight at 6pm at the Paramount is the North America premiere of Cesar Chavez a film directed by Ambulante co-founder Diego Luna.

Hear his candid thoughts about making the movie with the Chavez family at this morning’s Participant Media panel

#WTF is #Latino at SXSW Film Festival?

11 Feb SXSW-2014

Perhaps the highest profile U.S. Latino film at SXSW this year is the dramatic feature about labor rights organizer Cesar Chavez.  Another film on Chavez, the documentary Cesar’s Last Fast, premiered at Sundance last month.  I’m thrilled to see two of the biggest U.S. Festivals supporting this story getting out there.   I’m also happy to see that the version directed by Diego Luna, starring Michael Peña as Cesar, is not the only US Latino offering at SXSW, the edgiest mainstream film festival in the U.S. of A.  I count 5 U.S. Latino writer/directors on this roster among many other artists and subjects.

chaveztweetBefore we dive in, my caveats:  First, this is at best, a prelim list.  I’m sure I will discover more US Latino talent once I get there and watch more films and meet the artists behind them.  

2.  My goal is to single out the U.S. Latino content creators, that is writer/directors because they are ridiculously under-represented.

3.  By U.S. Latino I mean people born or living in the U.S. who have roots from Mexico, Central & South America and the Caribbean.  

Back to this piece; I’m including actors, producers and cinematographers because they are critical to the making of the film, and subjects of documentaries as well as themes and perceptions of Latino culture because you don’t have to have Latino blood to “get it”.  That’s a sensibility you pickup because of where you live, or because of a best friend/neighbor, or a connection you feel when you experience a an artistic expression outside what your traditional ethnic culture dictates. 

sashaSorry for shutting out Spain and Brazil on this list.  They will be fine.  That said I’m looking forward to Open Windows by Spanish loco, Nacho Vigalondo where Elijah Wood is suppose to go on a date with Sasha Grey.  And there is the Brazilian film,  Wolf at the Door, feature length debut from Fernando Coimbra.

One Night in Old Mexico by Emilio Aragon bears mention. It is a Spanish (that means Spain people) production shot in Brownsville, Texas. Joaquin Cosio (Cochiloco!) is the only Mexican actor I notice in the credits.   Robert Duvall acts and produces in this old-timey South of the Border road trip. I will view with an open mind and hope that Tijuana brothel strippers and corrupt Narco cowboys are not just background to an Anglo, Father and (grand) Son story.  I do like the Julieta Venegas song for the film, “Aqui Sigo”.

Thanks to my SXSW peeps for their descriptions and help.  If I have anything to add, I do so in Italics.  If YOU have anything to add please feel free to COMMENT!

HEADLINERS

Chef-photo-Jon-FavreauChef
Director/Screenwriter: Jon Favreau
Chef is a rich and vibrant comedy – the story of Carl Casper (Favreau), who loses his chef job and cooks up a food truck business in hopes of reestablishing his artistic promise. At the same time, he tries to reconnect with his estranged family.
Cast: Jon Favreau, Sofia Vergara, Scarlett Johansson, John Leguizamo, Bobby Cannavale, Dustin Hoffman, Oliver Platt, Robert Downey, Jr., Emjay Anthony (World Premiere)

NARRATIVE SPOTLIGHT

malkovichCESAR CHAVEZ
Director: Diego Luna
Screenwriter: Keir Pearson, Timothy J. Sexton
Chavez chronicles the birth of a modern American movement led by famed civil rights leader and labor organizer, Cesar Chavez. 
Cast: Rosario Dawson, John Malkovich, Michael Pena, America Ferrera, Gabriel Mann (North American Premiere)

Finally, a U.S. Latino story gets the orchestral score, epic, Hollywood blockbuster-gloss treatment it deserves.  And tomorrow evening, Cesar Chavez is having its World Premiere as a fancy Berlinale Special Gala.  Film is being rolled out in the U.S. starting on Cesar Chavez day, March 29.  John Malkovich, one of the producers of the film, also stars as Bogdanovitch, the grape crop owner and son of immigrants who wages battle against Chavez’s efforts to mobilize.  The filmmakers made the role a very smartly drawn character with dimension and Malkovich plays it with unexpected complexity and compassion.  Meanwhile America and Rosario elevate the contributions of Chavez’s partners, Helen, his wife, and Dolores Huerta, his work ally, respectively,  from background to the fore with their mighty performances.  An inspiring account of the sacrifices and failures necessary for triumph and success.  

Two Step


Director/Screenwriter: Alex R. Johnson
Two Step is a fast-paced Texas thriller in which the lives of James, a directionless college dropout, and Webb, a career criminal with his back against the wall, violently collide.
Cast: Beth Broderick, James Landry Hébert, Skyy Moore, Jason Douglas, Ashley Rae Spillers (World Premiere)

Austin-based Johnson, whose mom is from Ecuador,  is part of SXSW for the first time with his anticipated feature directorial debut, after directing several shorts, videos and producing documentaries.  Indiewirepreviously posted background on Two Step’s music (Andrew Kenny of All American Analog set did the score) and offbeat suspense elements along with clips of his work.  Check it. 

DOCUMENTARY COMPETITION

 The Immortalists
Directors: Jason Sussberg, David Alvarado
Two eccentric scientists struggle to create eternal youth in a world they call “blind to the tragedy of old age.” As they battle their own aging and suffer the losses of loved ones, their scientific journeys ultimately become personal. (World Premiere)

David was born in Dallas to a Mexican father, he went to grad school at Stanford and now lives in Brooklyn where he works on films exploring scientific breakthroughs and other fascinating biological radical-ness

Impossible Light
Director: Jeremy Ambers

impossibleImpossible Light reveals the drama and the daring of artist Leo Villareal and a small team of visionaries who battle seemingly impossible challenges to turn a dream of creating the world’s largest LED light sculpture into a glimmering reality. (World Premiere)

 Villareal grew up in Ciudad Juárez, Mexico, and El Paso. Per this Times article, “He was the introverted son of a wealthy Mexican-American family, more interested in programming his Apple II than the provincial pursuits of football, rodeo and tequila”.

Mateo
Director: Aaron I. Naar
Screen Shot 2014-02-10 at 4.08.28 PMMateo follows America’s most notorious white mariachi singer on his misadventures in Cuba.
(World Premiere)

Really interesting story, read the 2009 LA Times piece here and the Time Magazine piece here about this ginger haired white man who found his calling singing bolero music after getting out of Maximum Security Prison.

Print the Legendprintlegend

Directors: Luis Lopez, Clay Tweel

The 3D Printing revolution has begun. Who will make it? (World Premiere)

Lopez (from Tijuana) and Tweel were associate producers on 2007’s King of Kong and worked together on 201o’s LA Film Fest Best Documentary, Make Believe.

DOCUMENTARY SPOTLIGHT

chapoThe Legend Of Shorty (UK)
Directors: Angus MacQueen, Guillermo Galdos
The Legend of Shorty is the story of a man and a myth. (World Premiere)

The sick but undeniably wild appeal of this ‘untouchable’ narco kingpin, Joaquin “El Chapo” Guzman puts this at the top of my Must-See list.  Not to mention the folks involved; Guillermo Galdos is a respected documentary reporter from Peru.  Submarine is co-repping the film for North America with Protagonist. Produced by Simon Chinn (Searching For Sugar Man, Man On Wire) and Andrew Mackenzie-Betty (Thriller In Manila).

VISIONS

Cumbres (Heights) (Mexico)

Director/Screenwriter: Gabriel Nuncio
Due a tragedy, two sisters abruptly escape from their hometown in Northern Mexico. Their journey creates a bittersweet relationship marked by pain, guilt and love.
Cast: Aglae Lingow, Ivanna Michel, Abdul Marcos, Sergio Quiñones, Ganzo Cepeda (U.S. Premiere)

Really happy about this film and impressed how Nuncio swooshes forward both the on-the-run stakes never leaving behind the actual sister relationship story behind. I’m looking forward to his next film, Los Herederos which Michel Franco (Despues de Lucia is producing).

The Dance of Reality (Chile / France)


Director/Screenwriter: Alejandro Jodorowsky
The Dance of Reality is a 2013 independent autobiographical film written, produced and directed by Alejandro Jodorowosky. 
Cast: Brontis Jodorowsky, Pamela Flores, Jeremias Herskovits, Cristobal Jodorowsky, Bastián Bodenhöfer, Alejandro Jodorowsky (U.S. Premiere)

Almost a year after its premiere in Cannes, the film finally gets its stateside premiere.  It’s like surfing on the neural synapses of an artist fully in tune with his twilight years intertwining nostalgia and fantasy.

EPISODIC – new section

From Dusk Till Dawn: The Series

Director/Screenwriter: Robert Rodriguez
The Gecko Brothers are back. Based on the thrill-ride film, From Dusk Till Dawn: The Series is a supernatural crime saga from Creator, Director and EP Robert Rodriguez premiering March 11 on El Rey Network.
Cast: D.J. Cotrona, Zane Holtz, Eiza González, Jesse Garcia, Lane Garrison, and Wilmer Valderrama, and Don Johnson (World Premiere) 

Halt and Catch Fire
Director: Juan Jose Campanella, Screenwriters: Christopher Cantwell
Halt and Catch Firecaptures the rise of the PC era in the early 1980s, during which an unlikely trio – a visionary, an engineer and a prodigy – take personal and professional risks in the race to build a computer that will change the world as they know it. 
Cast: Lee Pace, Scoot McNairy, Mackenzie Rio Davis, Kerry Bishe, Toby Huss, David Wilson Barnes (World Premiere)

Argentine Campanella has directed several episodes of House, Law & Order, 30 Rock and my ol fave, Strangers With Candy. Before that he got international acclaim with his first film, 2009’s The Secret in Her Eyes.

24 BEATS PER SECOND

Lupita-1 KopieQue Caramba es la Vida (Germany)
Director: Doris Dorrie
In the macho world of Mariachi music, very few women can hold their own. Just like the songs they play, this film is a snapshot of life, death and the things in between – seen from a bird’s-eye perspective. (World Premiere)

Rubber Soul

Director/Screenwriter: Jon Lefkovitz
Rubber Soul reconstructs portions of two historical interviews with John Lennon and Yoko Ono based on available transcripts and audio, juxtaposing them in order to explore the dynamic nature of Lennon’s identity over time. Cast: Joseph Bearor, Denice Lee, Dillon Porter, Andrew Perez (World Premiere)

perezAndrew is first generation Colombian American.  His next feature which he wrote and acts in is being edited by Rubber Soul director, Jon Lefkovitz, takes place in Colombia, called Bastards & Diablos.  He spent six years in my Chi-city, performed at the renowned Steppenwolf Theater with a production of Sonia Flew with Sandra Delgado and Sandra Marquez. 

 

SXGLOBAL

desertThe Desert (Argentina)

Director: Christoph Behl


The failed story of a love triangle in a post-apocalyptic world.
Cast: Victoria Almeida, William Prociuk, Lautaro Delgado (North American Premiere)

German filmmaker who works in Spanish language films.  The Desert has been validated at all the top international horror festivals, Sitges, London Fright Fest, Fantasy Festival among others.

MIDNIGHT

Exists
Director: Eduardo Sánchez, Screenwriter: Jamie Nash
Five friends on a camping weekend in the remote woods of East Texas struggle to survive against a legendary beast that is stronger, smarter, and more terrifying than they would have ever believed exists. Cast: Chris Osborn, Dora Madison Burge, Roger Edwards, Denise Williamson, Samuel Davis (World Premiere)

Cuban born Sanchez shot to cult indie horror kingpin over Blair Witch Project.  His short in the V/H/S 2 short is so bomb.  I can’t wait to see this take on Bigfoot.

latephasesLate Phases
Director: Adrián García Bogliano Screenwriter: Eric Stolze
When deadly attacks from the forests beset a secluded retirement community, it is up to a grizzled veteran to figure what the residents are hiding. Cast: Nick Damici, Ethan Embry, Erin Cummings, Tom Noonan, Lance Guest (World Premiere)

Adrián was born in Madrid, grew up in Argentina and now lives and works in Mexico City.  This is his first film in English.  He has over 20 credits, about half feature length and half shorts, including most recently the ABCs of Death (B is for Bigfoot, incidentally), and Here Comes The Devil.  I first experienced his suspenseful horror com romp with his 2004 Rooms for Tourists.

Home
Director/Screenwriter: Nicholas McCarthy
When a realtor is asked to sell a vacant home, she and her sister cross paths with its previous tenant: a teenage girl who sold her soul to the devil. Cast: Naya Rivera, Catalina Sandino Moreno, Ashley Rickards, Wyatt Russell, Ava Acres (World Premiere)

Puerto Rican Naya Rivera (Glee) who recently was quoted in a Cosmo Latina interview it sucks that she has no one to speak Spanish to , and Catalina Sandino Moreno (Maria Full of Grace and Magic Magic) get top billing in this  midnight movie from The Pact director McCarthy

ANIMATED SHORTS

Yearbook

Director/Writer:  Bernardo Britto

A man is hired to compile the definitive history of human existence before the planet blows up.

BB is Brasilero from Rio, animated film is produced by the Cuban American Borscht Collective based in Miami.  Won Best Animated Film at Sundance.  I’m so moved by this.  It is so damn profound.

MIDNIGHT SHORTS

Screen Shot 2014-02-11 at 6.38.37 PMWawd Ahp

Directors: Steve Girard, Josh Chertoff
A man raps in the mirror, cuts his head off, and has sex with it. There is also a cartoon.

No seriously, that is the description and even that is not preparation for the deranged awesome-ness that is Wawd Ahp.  The cinematographer Alfredo Alcantara grew up in Mexico City.  Check out his work.

Violent Florence (Australia)
Director: Jaime Snyder
Florence rescues a stray cat from a gang of teenagers. After taking the feline to an isolated building, her true intentions emerge.

Cinematographer Benjamin Hidalgo De La Barrera is from Mexico City, another D.F. DP

TEXAS HIGH SCHOOL SHORTS - The future is here!

Cliché
Directors: Joseph Alvarez, Eric Zelaya
Four teenagers on a mission to create the greatest student short film.

Just Skate
Directors: Alicia Tanguma, Brianna Garza
The boy loves to skate.

purplePurple
Directors: Ryker Allen, Isabella Cabello
A Super-8 esque shot, coming of age music video for the song “Purple” performed by San Antonio based band Islands and Tigers.

Check out the San Antonio multi-media artist Ryker’s impressive work on his website

Seawolf
Directors: Caila Pickett, Max Montoya
Seawolf follows a young girl as she travels to different worlds through magical boxes.

Now that I’ve had a chance to scour through the lineup, I can tell that Latino or not, there’s a whole mixed bag of unadulterated, head-blowing, pants-offing, mind-tripping sing and dancing in store to discover.   Get yourself out there for the film, stay for music if you dare.  SXSW

Meet Tin Dirdamal – Director of Death in Arizona

8 Feb Screen Shot 2014-02-08 at 10.10.53 AM

opening2014Last weekend I was in Mexico City for the official launch of the 2014 Ambulante documentary tour.  The roving film festival has an insanely impressive 35 venues through out most of the burroughs in El Districto Federal.   It wanders around in Mexico City one more week until the 13th when the tour hits the road to its next stop in Guerrero.   The tour will conclude May 4 in the magical land of Oaxaca and by then it will have traveled to 12 different states throughout Mexico presenting its diverse, international lineup of the latest documentary cinema.

Ambulante has 12 different programming sections including the popular music section, Sonidero, Dictator’s cut, devoted to human rights & freedom of speech,  and Injerto, the art & cinema experimental section.  Ambulante’s viscus however is Pulsos, where you’ll find the most recent, most original voices of the robust Mexican non fiction narrative.  It is here that the world premiere of Death in Arizona, a futuristic documentary, as described by the director, Tin Dirdamal is being presented.

Screen Shot 2014-02-08 at 9.50.46 AM

Still6 copyI first met Tin at the Los Angeles Latino International Film Festival with his opera prima, DeNadie which won the Audience Award at the 2006 Sundance Film Festival.  He is by far one of the most curious, unpretentious, inspired minds I’ve ever met.  We took a jaunt up to Coyoacan plaza, an ancient mecca of artisan vendors and merchants, for coffee at my favorite El Jarocho, tamales, and found a relatively quiet garden to have a conversation.

DeathArizona1The story is quite personal, about a love lost and a self found, to say it broadly.  Without giving away too much, the love in the film is also the producer and co-director Christina Haglund.  I asked Tin about his creative process, his favorite Jodorowsky film, his experience at Sundance, and his philosophy on filmmaking and well, life.  Check out our conversation and then the trailer to his film.   He is truly a one-of-a-kind, thought-provoking, and perhaps the most brilliantly unassuming human being I’m happy to know.  Now you meet him.

Here is a trailer of the film – that for me resonates as a journey culminating towards a flickering light and illumination at the end of a tunnel of heartbreaking solitude.  The intimate, moody, futuristic and transcendent film, Death in Arizona.

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